Monuments: TNMdB

Fragmentary sandstone relief from Rückingen showing a male figure walking right and holding a kantharos. Traces on the chest may indicate a torques or shoulder-cape.

This bust of a lion-headed figure has been was part of a French private collection.

This is one of the three reliefs depicting Mithras killing the bull that the Louvre Museum acquired from the Roman Villa Borghese collection.

A marble head in the Uffizi Gallery, long interpreted as a “dying Alexander,” but probably representing Mithras tauroctonos.

Marble plaque with inscription by a certain Ursinus found in Virunum in 1838.

The Mithraeum of Sutri was built inside a rocky hill that also hosted the Roman theatre of the city.

White marble relief depicting Mithras as bull-slayer in a grotto from the Froehner collection, now in the Cabinet des Médailles, Paris.

Marble inscription recording the dedication of a cult image to the unconquered Mithras by a certain pater Valerius Marinus from Rome.

Currently in the Musei Vaticani, this Tauroctony includes Mithras’s birth restored as Venus anaduomene.

This lion-headed figure from Nida, present-day Frankfurt-Heddernheim, holds a key and a shovel in his hands.

Even if only a few fragments remain, it is very likely that the main niche of the Mitreo di Santa Prisca contained the usual representation of Mithras killing the bull.

Terracotta krater from the southern part of the Friedberg Mithraeum, discovered in 1849. The vessel is decorated in relief with serpents, a scorpion and a ladder-like motif.

There have probably been three mithraea discovered at Friedberg.

This Mithraic temple, also known as the Mithraeum of the Olympii, dates to the 3rd century and was rediscovered in 15th-century Rome, but it has not been preserved.

This monument is the only one still available from the disappeared Mithraeum in Piazza S. Silvestro in Capite.

The Mithraeum of Rudchester was discovered in 1844 on the brow of the hill outside the roman station.

Roman relief from a sanctuary on the Janiculum Hill (Rome), showing a male figure bound by a serpent coiled seven times.

This tauroctony may have come from Hermopolis and its style suggests a Thraco-Danubian origin.

Fragment of limestone from Porêts, which was used in the 4th century.

Bronze head in Phrygian cap with seven rays.