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Small marble relief from the Aventine showing a primitive representation of Mithras slaying the bull, without torchbearers or Sol and Luna.
Roman senator, public augur and Mithraic pater attested among the aristocratic dedications associated with the Vatican Phrygianum in 376 CE.
One of the clearest examples of the late Roman aristocracy’s involvement in the mysteries of Mithras and other initiatory cults during the fourth century.
Pater patrum and magister of the Mithraic community associated with the Esquiline Mithraeum.
Junia Zosime is known from an inscription discovered at Ostia recording the donation of a silver statue of the Virtus of the dendrophori.
Known from a disputed inscription discovered near Mediolanum, she has been tentatively linked to a Mithraic dedication, although the interpretation remains controversial.
Altar of Varia Severa from Mediolanum, modern Milan, one of the few women associated with a possible Mithraic dedication.
Ostian sacerdos remembered through his participation in the dedication of the monumental leontocephalic image erected under Commodus in 190 CE.
Sextus Pompeius Maximus was an Ostian pater, later honoured as pater patrum, whose benefactions transformed the Aldobrandini Mithraeum and linked him to the city’s ferry guilds.
His name was added to the main tauroctony sculpture of the Mitreo Fagan.
This intaglio portrays Mithra slaying the bull on one side, and a lion with a bee, around seven stars, and inscription, on the other.
Patron of the corpus stuppatorum and benefactor who financed the construction of the Mithraeum of Fructosus at Ostia.
This sculpture of Mithras killing the bull was dedicated to the “incomprehensible god” by a certain priest called Gaius Valerius Heracles.
Antistes and patron of the Mithraea of the Painted Walls and the Imperial Palace at Ostia.
Benefactor of the Imperial Palace Mithraeum and possible member of Ostia’s African community.
Leading member of the Ostian Mithraic community, holder of the titles pater, sacerdos and antistes.
The Mithraeum of the Animals was decorated with a mosaic depicting a naked man, a cock, a raven, an scorpion, a snake and the head of the bull.
Small marble base recording a donation to M. Cerellio Hieronymo, pater and sacerdos, on behalf of an antistes who dedicated objects to the god, from the Mitreo degli Animali at Ostia.
Mithraic priest and dedicator of the leontocephalic deity from the Fagan Mithraeum at Ostia.
