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Emperor Julian may have been initiated into the cult of the god Mithras at the Mithraeum of Vienne, France, according to Turcan.
Head, possibly of Mithras, wearing a Phrygian cap, found in the bed of the Millicri River, near Locri, Calabria.
This fragmentary relief depicts Mithras killing the bull in the usual manner, remarkably dressed in oriental attire.
The Mithraeum of the Crypta Balbi was locted in the middle of a densely populated insula near the theatre of Cornelius Balbus.
The Mithraeum under the Basilica of San Clemente made part of a notable Roman house.
In polemical passages from the late second and early third centuries, Tertullian portrays the cult of Mithras as a demonic imitation of Christian rites and provides rare early references to Mithraic initiation and ritual symbolism.
An anonymous late-antique Christian poem, traditionally attributed to Pseudo-Paulinus of Nola (Poema 32, vv. 109–111), that ridicules pagan cults and presents Mithras, Isis, and Serapis as gods of concealment, contradiction, and unstable forms rather than light…
In the eighteenth year of Diocletian’s reign, Galerius Maximianus, persuaded by the sorcerer Theoteknos, consulted demonic oracles in a cave and was urged to initiate the persecution of the Christians.
The image of Mithras killing the bull, found near Walbrook, is surrounded by a Zoadiac circle.
This collective volume explores the ways ancient peoples interacted with divine powers through prayer, magic, and the interpretation of the stars. Drawing on evidence from Mesopotamia to Late Antiquity, it situates these practices within broader religious and cosmological systems…
A critical edition of the Mithras Liturgy (PGM IV.475–834), providing the Greek text, English translation, commentary, and an updated discussion of its interpretation since Albrecht Dieterich’s 1903 edition.
Fritz Saxl interprets Mithraism primarily through its images, proposing the cult as a visual cosmology structured around the descent, sacrifice and re-ascent of light, developed in close dialogue with Aby Warburg and Erwin Panofsky.
A Roman centurion investigates a ritual murder and a deadly new weapon, the Fire of Mithras, from the alleys of Lutetia to the battle of Argentoratum.
Professor Wind's acclaimed work explores pagan mysticism and neoplatonic philosophy in Renaissance art, offering insightful analyses of masterpieces by Botticelli, Michelangelo, Raphael and Titian.
Kerivel explore voie mystique des Alévis que, selon lui, trouve son origine dans la très ancienne religiosité des peuples iraniens et sur les structures et les rituels du culte de Mithra.
Genet aborde les thèmes qui lui sont chers, dans les règles de l’art mais en laissant affleurer un lyrisme bien tenu.
Le présent volume les réunit en les assortissant de deux contributions inédites sur l’échelle mithriaque et sur le dieu au serpent des stèles danubiennes.
L'école mithriaque représente, à nos yeux, une source riche et féconde d'enseignements relatifs à la conduite de la vie. Il nous a semblé aussi que la psychothérapie actuelle se trouverait enrichie par l'étude des données des "psychodrames"…
A conversation between Peter Mark Adams and Christophe Poncet on the esoteric tarot, in relation to the elite and Saturnian Sola-Busca tarocchi and the popular and luminous Tarot de Marseille.
Papers of the international conference "Roman Mithraism: the Evidence of the Small Finds". Tienen 7-8 November 2001.
