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This marble slab bears an inception be the Pater Proficentius to whom Mithras has suggested to build and devote a temple.
This very fine relief of Mithras killing the bull was discovered in 2014 in Germán, near Sofia, Bulgaria, and is now housed in the Sofia History Museum.
The Mysteries of Mithras is an independent Initiatic Order which is inspired by and uses the allegory of the lost and ancient Mithraic Mysteries also known as Mithraism a previously influential Roman Cult of the same name.
This unusual bronze bust of Sabazios features multiple symbolic elements, with Mithras depicted in his characteristic pose of slaying the bull, positioned just below Sabazios’ chest.
The base of the column bears an inscription that records the rebuilding of a palace at Ectabana ’by the favour of Ahuramaza, Anahita and Mithra’.
The Mithraeum of Visentium, near Capodimonte in Viterbo, was carved grotto-style into a tuff cliff overlooking the waters of Lake Bolsena, just a few dozen metres away.
The Mithraeum was inserted into the basement of the basilica-theater by the 3rd century.
"The remaining figure on this monument, Herakles, was previously misidentified as Apollo on this remarkable black basalt tablet from Samsat, known in Roman times as Samosata.
This dedicatory inscription by Aurelius Seleucus, found in Cilicia, aligns with Plutarch’s account of Cilician pirates performing foreign sacrifices and secret rites of Mithras.
The Mithraic relief from Baris, in present-day Turkey, shows what appears to be a proto-version of the Tauroctony, with a winged Mithras surrounded by two Victories.
The Mühltal Mithraic crater was discovered among the artefacts of a mithraeum found in Pfaffenhoffen am Inn, Bavaria.
This plaque, located on the western staircase of the Palace of Darius, mentions the god Mithra together with Ahura Mazda as protectors of King Artaxerxes III Ochus.
These fragments of a monumental relief of Mithras killing the bull from Koenigshoffen were reassembled and are now on display at the Musée Archéologique de Strasbourg.
Franz Cumont considers the bas relief of Osterburken ’the most remarkable of all the monuments of the cult of Mithras found up to now’.
The importance of the Mithraeum of Marino lies in its frescoes, the most significant of which is that of Mithras slaying the bull, surrounded by mythological scenes.
The tauroctonic relief from Dragus includes a naked flying figure that Vermaseren has identified as Phosporus or Lucifer.
This relief of Mithras killing the bull includes various singular features specific to the Danubian area.
Tracing the links between the cult of Mithras and the Proud Boys’ quest for identity, power, and belonging. How ancient rituals and brotherhood ideals resurface in radical modern movements.
Mithraic Influence on Early Christian Symbolism and Church – Architecture
This gemstone depicting Mithras killing the bull, preserved in the Ploiești Museum, originated from Prahova County or south of the Danube area.
