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Bronze statuette of Mithras in his characteristic bull-slaying pose, though only the god has been preserved.
Figures in procession, each representing a different grade of Mithraic initiation, labeled with their respective titles.
The person who commanded the sculpture may have been M. Umbilius Criton, documented in the Mitreo della Planta Pedis.
Fresco showing a scene of initiation into the mysteries of Mithras in the Mithraeum of Santa Maria Capua Vetere.
Roman stone low-relief depicting Mithras as a bull-slayer, with the upper part of his head missing.
The vault of the Mithraeum in S. Capua Vetere is decorated with stars that have holes in their centers, which once held colorful glass decorations.
This marble relief depicting Mithras killing the bull, found at Porto d’Anzio in 1699 and now lost, is known from a engraving by del Torre.
Fresco depicting an initiation scene from the Mithraeum of Capua Vetere.
Fragments of a marble relief of Sol, which probably served as a fenster.
This bronze arm, with stars and a swastika, was once thought to be part of a Mithras statuette but has since been dismissed as unrelated to the Mithras cult.
Continuation of the frescoes depicting an initiation into the Mithras cult, where two attendants present a repast to Mithras and Sol.
Around the relief with Mithras as a bullkiller, a number of scenes from the Mithras Iegend have been painted in the Mithraeum of Dura Europos.
The Mithraeum of Visentium, near Capodimonte in Viterbo, was carved grotto-style into a tuff cliff overlooking the waters of Lake Bolsena, just a few dozen metres away.
The Mithraeum was inserted into the basement of the basilica-theater by the 3rd century.
This relief is so well-known that it has been reproduced in nearly every handbook of archaeology and of history of religions.
The tauroctonic relief from Dragus includes a naked flying figure that Vermaseren has identified as Phosporus or Lucifer.
