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This altar was originally consecrated to Hercules and was rededicated to Mithras by Callinicus in the Mithraeum of the House of Diana.
In this article, Chalupa examines the scant evidence that has been found for the presence of women in the Roman cult of Mithras.
This tabula marmorea was consecrated by a certain slave Vitorinus in Tibur, nowadays Tivoli, near Rome.
The Mithraeum of Aldobrandini was excavated in 1924 by G. Calza on the premises belonging to the Aldobrandini family.
This relief of Mithras killing the bull, now on display in Stuttgart, includes a small altar with a sacrificial knife and an oil lamp.
The Mithraeum located in Piazza Dante in Rome was discovered in 1874 along with a series of monuments dedicated by a Pater named Primus.
The limestone altar at Klechovtse in North Macedonia bears an inscription to the invincible Mithras.
Marble group of Dionysus accompanied by a Silenus on a donkey, a satyr and a menead.
The Mithraeum of Inveresk, south of Musselburgh, East Lothian, is the first found in Scotland, and the earliest securely dated example from Britain.
The Mithraeum of Lucretius Menander was installed in the early 3rd century in an alley to the east of a Hadrianic building named after the solar god temple.
This marble gives some details of the reconstruction of the Virunum Mithraeum.
Intervention de Nicolas Amoroso, commissaire de l’exposition Le Mystère Mithra.
Mithras became the main deity worshipped in the sanctuary of Meter in Kapikaya, Turkey, in Roman times, at least until the fourth century.
This marble slab found near the Casa de Diana in Ostia bears two inscription with several names of brothers of a same community
The dedicator of this marble basin could be the same person who offered the sculpture of Mithras slaying the bull in the Mitreo delle Terme di Mitra.
The sculpture of Mithras rock-birth from Santo Stefano Rotondo bears an inscription of Aurelius Bassinus, curator of the cult.
The inscription mentions the name of the donor, Yperanthes, of Persian origin.
This stele found at the foot of the Aventine bears an inscription of Kastos father and son, and mentions several syndexioi who shared the same temple.
The Venus pudica of Merida stands next to the young Amor riding a dolplhin.
The name of the Mithraeum of the Seven Gates refers to the doors depicted in the mosaic that decorates the floor, symbolising the seven planets through which the souls of the initiates have to pass.
