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The Mithraic vase from Colonia Claudia Ara Agrippinensium in Germany includes Sol-Mithras between Cautes and Cautopates, as well as a serpent, a lion and seven stars.
Colonia Claudia Ara Agrippinensium, usually just called Colonia, was the Roman settlement in the Rhineland that became the modern city of Cologne, now in Germany. It was the capital of Germania Inferior and the military headquarters of the region.
This monument with an inscription by two individuals was found in the first mithraeum of Cologne, Germany.
The relief of Dieburg shows Mithras riding a horse as main figure, surrounded by several scenes of the myth.
These two fragments of a sandstone relief were walled into a house on the market square in Besigheim.
Fragment of a double-sided white marble Mithraic relief from San Zeno, found near the Castello di Tuenno, depicting elements of the tauroctony cycle and bearing a dedication to Deo Invicto Mithrae.
This Mithraic relief of the Danubian type was found in 1940 in the old town of Plovdiv.
These fragments of a cult relief of Mithras were found at the Mithraeum II of Ptuj, Slovenia.
The sculpture of the birth of Mithras in Florence included the head of Oceanus.
The altar of Ptuj depicts Mithras and Sol on the front and the water miracle on the right side.
Valencia is one of the oldest Roman cities in Spain, founded in 138 BC under the name 'Valentia Edetanorum' on the site of an older Iberian city.
Barcelona is a city on the coast of northeastern Spain. Founded as a Roman city, in the Middle Ages Barcelona became the capital of the County of Barcelona.
Vetera was the name of the location of two successive Roman legionary camps in the province of Germania Inferior near present-day Xanten on the Lower Rhine.
Sandstone base from Vetera (Xanten), Germania Inferior, with a relief of Cautes in Oriental dress holding a long burning torch.
Mithraeum discovered in 1887–1888, located about 85 m north of the castellum at Ober-Florstadt, built on a hillside with a central aisle, benches, and an altar podium.
This bust of a lion-headed figure has been was part of a French private collection.
This is one of the three reliefs depicting Mithras killing the bull that the Louvre Museum acquired from the Roman Villa Borghese collection.
In these two key passages, Justin Martyr interprets Mithraic rituals and myths as demonic parodies of Christ’s incarnation, the Eucharist, and biblical revelation.
A marble head in the Uffizi Gallery, long interpreted as a “dying Alexander,” but probably representing Mithras tauroctonos.
