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Ituro, now Cabrera de Mar, was an important trading town and the capital of the Laietani, an Iberian people, until Roman times.
The Roman villa of Can Molodell had a sanctuary that has been related to the cult of Mithras.
Small arula with mithraic inscription and dedication to Cautes from a garlic merchant.
The importance of the Mithraeum of Marino lies in its frescoes, the most significant of which is that of Mithras slaying the bull, surrounded by mythological scenes.
The Marino Mithraeum preserves one of the most elaborate painted cycles of Mithras’ myth, combining the tauroctony, planetary symbolism and scenes from the god’s sacred narrative.
One of Roman Italy’s most important Mithraic sanctuaries, the Mithraeum at S. Maria Capua Vetere preserves a remarkable painted cycle of initiation scenes, offering rare visual evidence for the ritual life of Roman Mithaism.
The monument is engraved with an inscription by Cresces, the donor.
The main fresco of the Mithraeum of Santa Maria Capua Vetere portrays Mithras slaughtering a white bull.
This scene from the frescoes of the Mitreo di Santa Maria Capua Vetere shows a kneeling, naked man surrounded by two other figures.
