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Ituro, now Cabrera de Mar, was an important trading town and the capital of the Laietani, an Iberian people, until Roman times.
The Roman villa of Can Molodell had a sanctuary that has been related to the cult of Mithras.
Small arula with mithraic inscription and dedication to Cautes from a garlic merchant.
The Marino Mithraeum preserves one of the most elaborate painted cycles of Mithras’ myth, combining the tauroctony, planetary symbolism and scenes from the god’s sacred narrative.
One of Roman Italy’s most important Mithraic sanctuaries, the Mithraeum at S. Maria Capua Vetere preserves a remarkable painted cycle of initiation scenes, offering rare visual evidence for the ritual life of Roman Mithaism.
This scene from the frescoes of the Mitreo di Santa Maria Capua Vetere shows a kneeling, naked man surrounded by two other figures.
Fresco showing a scene of initiation into the mysteries of Mithras in the Mithraeum of Santa Maria Capua Vetere.
This altar has been unusually dedicated to both gods Mithras and Mars at Mogontiacum, present-day Mainz.
The monument is engraved with an inscription by Cresces, the donor.
The importance of the Mithraeum of Marino lies in its frescoes, the most significant of which is that of Mithras slaying the bull, surrounded by mythological scenes.
Marble inscription recording the dedication of a cult image to the unconquered Mithras by a certain pater Valerius Marinus from Rome.
La localización de una comunidad mitraísta en San Juan de la Isla posee un notable interés, debido a la débil popularidad de este culto oriental entre las poblaciones de Hispania.
A dinner scene with Sabina from the Catacombe dei Santi Marcellino e Pietro, near Rome, may have been commissioned by a follower of Mithras.
