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The folio depicts three tauroctonies and a Mithras Triumphantes standing on a bull with the globe in one hand and the dagger in the other.
Glass paste imprint depicting the Tauroctony surrounded by symbolic figures.
Imprint on glass of a Tauroctony exposed at Winckelmann Museum.
The intarsium of Sol found in the Mithraeum of Santa Prisca is composed of several varieties of marble.
The St Albans mithraic vase depicts fragments of three figures identified by Vermaseren as Hercules, Mercury and Mithras as an archer.
In the tauroctony of Jabal al-Druze in Syria, the snake appears to be licking the head of the bull's penis.
The second tauroctony of Jabal al-Druze seems to have be made by the same sculptor.
The relief of Mithras slaying the bull found on the Esquiline Hill includes two additional scenes with Mithras and two other figures.
García y Bellido proposed the existence of a mithraeum in a narrow, elongated room where the Troia mithraic relief was found.
The Mitreo dei Marmi Colorati takes its name after the discovery of a black-and-white mosaic of Pan fighting with Eros.
Three European museums celebrate Mithras with a continental exhibition featuring more than 200 works of art from Roman times to the present day.
Presentation on the Dionysian-themed frescoes of the Villa of the Mysteries by Peter Mark Adams on the occasion of the presentation of his book.
The Tauroctony relief of Mithras killing the bull walled in the Cortile of the Belvedered, Vatican City, was found by Fagan near Ostia.
Video reportage about the city and the Mithraeum of Jajce.
Jason Reza Jorjani, PhD, is a philosopher and author of Prometheus and Atlas, World State of Emergency, Lovers of Sophia, Novel Folklore: The Blind Owl of Sadegh Hedayat, and Iranian Leviathan: A Monumental History of Mithra's Abode.
This sculpture of Mithras sacrificing the bull was found in the Quirinal and is now on display in the Musei Capitolini.
Possibly a Mithraic scene discovered in Mödling, Austria.
Emperor Julian is supposed to have presided over a human sacrifice in the Mithraeum of Scarbantia, according to N. Massalsky.
The article reveals the context in which the first public appearance of Mitra happened to answer two questions: who were the first people to give prominence to this deity, and for what purpose they did so.
