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Fresco of Mithras found in an arched niche above the right bench of the Baths of Caracalla’s Mithraeum in Rome.
This marble relief depicting Mithras killing the bull, found at Porto d’Anzio in 1699 and now lost, is known from a engraving by del Torre.
Partial relief of a Giant with snake-feet found in the Mithraeum of Santa Prisca.
Marble torso found at Ostia in 1912 between the Decumanus and the Via dei Molini, dedicated to Mithras by a certain Atilius Glycol.
This bronze arm, with stars and a swastika, was once thought to be part of a Mithras statuette but has since been dismissed as unrelated to the Mithras cult.
Relief possibly depicting Mithras-Men holding a torch and a a bust of Luna on a crescent.
Fragment of a white statue depicting a naked god entwined by a serpent with its head on his chest, found in the River Tiber.
White marble relief depicting Mithras killing the bull, found broken in two parts in 1872 near Salita delle Tre Pile in Rome.
I am a member of the Longthorpe Legion, a Living History group linked to our local museum that portrays the Romans in Britain, including a Temple to Mithras.
Fragment of a white marble statue of Mithras killing the bull from Rusicade, today Skikda, Algeria.
Around the niche of the Dura Europos Mithraeum fragments of a series of small paintings set in a semicircular band of panels were found.
This marble relief depicting Mithras as a bull-slayer was once owned by Major Holzhausen and Franz Cumont and is now housed at the Belgian Academy.
The mithraic relief of Konjic shows a Tauroctony in one side and a ritual meal in the other.
This very fine relief of Mithras killing the bull was discovered in 2014 in Germán, near Sofia, Bulgaria, and is now housed in the Sofia History Museum.
This unusual bronze bust of Sabazios features multiple symbolic elements, with Mithras depicted in his characteristic pose of slaying the bull, positioned just below Sabazios’ chest.
The Mithraeum was inserted into the basement of the basilica-theater by the 3rd century.
This dedicatory inscription by Aurelius Seleucus, found in Cilicia, aligns with Plutarch’s account of Cilician pirates performing foreign sacrifices and secret rites of Mithras.
The importance of the Mithraeum of Marino lies in its frescoes, the most significant of which is that of Mithras slaying the bull, surrounded by mythological scenes.
The large number of monuments found at the Mithraeum of Sarmizegetusa and the sheer size of the temple are unusual.
