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Cales was an ancient city of Campania, in today's comune of Calvi Risorta in southern Italy, belonging originally to the Aurunci/Ausoni, on the Via Latina.
In the second half of the 4th century, a Mithraic temple was established within an earlier spring sanctuary at Septeuil, where the cult of the nymphs and Mithraic practices appear to have coexisted.
Gold lamina from Ciciliano showing a nude, serpent-entwined Aion-Kronos holding a key and surrounded by Greek voces magicae (2nd c. CE).
Several iron fragments found in the second mithraeum of Güglingen may have been used during mithraic ceremonies.
The frescoes depict several figures dressed in different garments associated with the Mithraic degrees.
Procession of Leones carrying animals, bread, a krater, and other objects in preparation for a feast.
The Mithraeum at Espronceda Street, in Merida, was discovered in 2000. It is a semi-subterranean temple.
Mithras and other oriental gods were worshipped in the shrine of Zeus near the Villa of the Quintilians in Rome.
Partial relief of a Giant with snake-feet found in the Mithraeum of Santa Prisca.
White marble statue of Mithras killing the sacred bull preserved in the Museo Nacional Romano.
Marble relief, probably found in Rome during the construction of the Palazzo Primoli along the Via Zanardelli.
On the Aventine, between the Eastern side of S. Saba’s and the Via Salvator, there is a Roman building, which probably was used as a Mithraeum in the end of the 4th century.
Around the niche of the Dura Europos Mithraeum fragments of a series of small paintings set in a semicircular band of panels were found.
This fresco, found in the Santa Capua Vetere Mithraeum, depicts what seems to be an initiate falling forward because someone is pressing down on his shoulders.
The existence of a mithraeum in the "tana del lupo", a natural cave in the castle of Angera, has been assumed since the 19th century, following the discovery of two mithraic inscriptions in the town.
The votive fresco from the Mithraeum Barberini displays several scenes from Mithras’s myth.
This marble slab bears an inception be the Pater Proficentius to whom Mithras has suggested to build and devote a temple.
