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This white marble relief depicting a lion-headed figure from Ostia is now exposed at the Musei Vaticani.
The main relief of Mithras killing the bull from the Mithraeum of Dura Europos includes three persons named Zenobius, Jariboles and Barnaadath.
The inscription mentions the name of the donor, Yperanthes, of Persian origin.
Procession of Leones carrying animals, bread, a krater, and other objects in preparation for a feast.
Figures in procession, each representing a different grade of Mithraic initiation, labeled with their respective titles.
The Hekataion of Sidon, which depicts Hekate in her trimorphic form surrounded by three dancing girls, is the only example found to date in connection with the Mithraic cult.
This altar was originally consecrated to Hercules and was rededicated to Mithras by Callinicus in the Mithraeum of the House of Diana.
The Mithraeum of the terms of Mithras takes its name from being installed in the service area of the Baths of Mithras.
The Rites of Hekate is a personal yet deeply rooted academic account of the current understanding of this ambivalent goddess, presented as an arcane and liminal archetype.
I am a graduate trying to complete a MA in archaeology. My Master`s Dissertation is about Mistery Cults in the Roman Empire
Sandstone base carved on two sides, with a head of Medusa framed by acanthus leaves and a reclining lion holding a head between its forelegs.
Thinking of forming a weekly group for those in the Anglosphere(USA, Canada, UK, Australia and NZ) to have a webcam call, discuss all things related to Mithras and form friends sharing a niche interest:)
The temple of Mithras in Fertorakos was constructed by soldiers from the Carnuntum legion at the beginning of the 3rd century AD.
Algis Uždavinys presents philosophy as a sacred practice of inner rebirth, rooted in ancient Egyptian and traditional wisdom rather than a purely rational discipline.
A historical novel framed as the memoir of a Brittano-Roman soldier witnessing the end of Roman Britain. It explores identity, loyalty, and survival at the twilight of empire.
This article revisits the Mithraeum of S. Maria Capua Vetere, one of the most complete and artistically refined Mithraic sanctuaries in the Campanian region, situating it within its archaeological, iconographic, and ritual-historical contexts.
Moeller interprets the square as a Mithraic construction encoding cosmological, numerical, and theological structures of Roman mystery religion, rather than an early Christian cryptogram.
A study that re-examines Roman Mithraism through epigraphic evidence and comparative analysis, exploring its links with Orphism, Platonism, and Iranian traditions, and presenting the cult of Mithras as a solar path of individual spiritual awakening between East and West…