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In these two key passages, Justin Martyr interprets Mithraic rituals and myths as demonic parodies of Christ’s incarnation, the Eucharist, and biblical revelation.
Marble plaque with inscription by a certain Ursinus found in Virunum in 1838.
The Mithraeum of Sutri was built inside a rocky hill that also hosted the Roman theatre of the city.
White marble relief depicting Mithras as bull-slayer in a grotto from the Froehner collection, now in the Cabinet des Médailles, Paris.
Even if only a few fragments remain, it is very likely that the main niche of the Mitreo di Santa Prisca contained the usual representation of Mithras killing the bull.
This monument is the only one still available from the disappeared Mithraeum in Piazza S. Silvestro in Capite.
The Mithraeum of Rudchester was discovered in 1844 on the brow of the hill outside the roman station.
Roman relief from a sanctuary on the Janiculum Hill (Rome), showing a male figure bound by a serpent coiled seven times.
In these passages from his hymns and satires, Julian articulates a solar theology in which Helios governs cosmic order and time. Within this framework, Mithras appears as a personal divine guide associated with the ascent of souls.
This tauroctony may have come from Hermopolis and its style suggests a Thraco-Danubian origin.
Sandstone relief of Mithras killing the bull, broken in two parts and partly restored, with dog, serpent and scorpion preserved; formerly in Vienna, now on loan to the Museum Carnuntinum.
Marble votive altar with inscription to Mithras, featuring coiled, fan-like motifs above the text and associated with the statio Enensis.
The altar of the Mithraeum of San Clemente bears the Tauroctony on the front, Cautes and Cautopates on the right and left sides and a serpent on the back.
The article examines two recently discovered Mithraic representations of Cautes from Alba Iulia, focusing on a rare iconographic type showing the torchbearer with a bucranium.
Statue of Cautes from Bodobrica, discovered around 1940, depicting the torchbearer standing before a tree or rock and associated with a bucranium.
Triangular marble slab (H. 0.39 Br. 0.30 D. 0.03), found in the Forum of Nerva.
Emperor Julian may have been initiated into the cult of the god Mithras at the Mithraeum of Vienne, France, according to Turcan.
This altar mentioning the god Arimanius was found in 1655 at Porta San Giovanni, on the Esquilino.
The Mithraic vase from Ballplatz in Mainz depicts seven figures arranged in two narrative sequences, commonly interpreted in relation to initiation rites.