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The Mithraeum of Angers, excavated during a preventive operation and subsequently dismantled in 2010, yielded numerous objects, including coins, oil lamps, and a ceramic vessel bearing a votive inscription to the invincible god Mithras.
This monument has been identified from ’Memorie di varie antichità trovate in diversi luoghi della città di Roma’, a book by Flaminio Vacca of 1594.
These bronze medallions associates the image of several Roman emperors with that of Mithras, usually as a rider, in the province Pontus.
The Tauroctony from Landenburg, Germany, shows a naked Mithras only accompanied by his fellow Cautes.
This marble relief depicting Mithras as a bull-slayer was once owned by Major Holzhausen and Franz Cumont and is now housed at the Belgian Academy.
This marble relief depicting Mithras killing the bull, found at Porto d’Anzio in 1699 and now lost, is known from a engraving by del Torre.
The lion relief from Nemrut Dag has the moon and several stars over his body.
This relief of Mithras killing the bull found in Gimmeldingen, Germany, lacks the usual raven.
Two marble statues of Cautes and Cautopates discovered in the Mithraeum of Rusicade, accompanied by symbolic animals including a lion, scorpion, dolphin and bird.
This funerary inscription, engraved on a stone urn discovered near Roman Dijon, mentions a certain Chyndonax, described as a priestly leader of Mithras.
This inscription on white marble by Lucius Gavidius uses the term ther cultores to refer to his Mithraic community in Stabiae, Italy.
Both objects have a snake winding itself around them.
This damaged relief of Mithras killing the bull found in 1804 and formerly exposed at Gap, is now lost.
The City of Darkness unique fresco from the Mithraeum of Hawarte shows the tightest links between the western and eastern worship of Mithras in Roman Syria.
Fragment of a white marble statue of Mithras killing the bull from Rusicade, today Skikda, Algeria.
The lion-headed figure from Rusicade, now Skikda, holds a key in both hands and features a pine cone beside his feet.
Sandstone relief of Mithras killing the bull, broken in two parts and partly restored, with dog, serpent and scorpion preserved; formerly in Vienna, now on loan to the Museum Carnuntinum.
This painting depicts an Iranian knight holding in a chain a black naked figure with two heads.
The Mithraeum of Hauarte or Hawarte, which preserves colourful frescoes, it’s the latest know and used.
Lenni George on Hekate’s development across ancient traditions, from mystery cults to magical practice and philosophical thought.