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Two white limestone blocks from Golubić near Bihać, Dalmatia, depicting the standard Mithraic tauroctony scene.
The second tauroctony of Jabal al-Druze seems to have be made by the same sculptor.
Greek ritual graffito scratched on wall plaster in the Mithraeum of Dura-Europos, mentioning the “fiery exhalation” and the “sacred nitre” of the Magi.
One of the reliefs of the Dura Europos tauroctonies includes several characters with their respective names.
This Mithraic shrine on the island of Ponza is renowned for its exceptional stucco zodiac and astral symbolism linked to Roman Mithaism.
The remains of this Mithraeum were discovered in 1930 in the Cetatea district of Alba Iulia, ancient Apulum.
This marble fragment from Apulum preserves the head of Mithras beneath an arch together with a raven and the remains of Sol’s radiate crown.
'Hail to Kamerios the Pater' can be read on one of the walls of the mithraeum at Dura Europos.
This marble relief bears an inscription by Marcus Modius Agatho, who dedicated several monuments to Mithras on the Caelian Hill in Rome.
The spherical ceramic cup found at the Mithraeum in Angers bears an inscription to the unconquered god Mithras.
Marcus Valerius Maximus records in this inscription his knowledge of astrology as well as the name of his wife.
The relief of Mithras killing the bull from the Jajce Mithraeum is walled into the cult niche and surmounted by a roof.
The inscription pays homage to the emperor, probably Caracalla, to Mithras, the fathers, the petitor and the syndexioi.
This marble slab bears an inception be the Pater Proficentius to whom Mithras has suggested to build and devote a temple.
The epigrahy includes a mention of Marcus Aurelius, a priest of the god Sol Mithras, who bestowed joy and pleasure on his students.
This enigmatic fresco on top of the main tauroctony shows Mithras killing the bull, accompanied by Cautes and Cautopates, surrounded by burning altars and cypress trees.
The sculpture of Aion from Florence, Italy, has the usual serpent, coiled six times on its body, whose head rests on that of the god of eternal time.
Around the niche of the Dura Europos Mithraeum fragments of a series of small paintings set in a semicircular band of panels were found.
An inscription by a certain Aurelius Rufinus reveals the existence of a Mithraeum on the island of Andros, but it has not yet been found.
