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This finely carved marble tauroctony from Interamna features an unusual series of altars and ritual vases surrounding the scene.
It bears an inscription repeated on each side of the podia.
In polemical passages from the late second and early third centuries, Tertullian portrays the cult of Mithras as a demonic imitation of Christian rites and provides rare early references to Mithraic initiation and ritual symbolism.
De oorspronkelijke Nederlandse uitgave van 1959 introduceerde het werk van Vermaseren, dat als klassiek geldt in de populaire studie van het mithraïsme en dat de belangstelling voor deze cultus blijvend heeft gevormd.
La localización de una comunidad mitraísta en San Juan de la Isla posee un notable interés, debido a la débil popularidad de este culto oriental entre las poblaciones de Hispania.
This sandstone altar was dedicated to Luna, who is mentioned as a male deity.
Circular stone base wrapped by a serpent, possibly belonging to a representation of Aion.
Victorius Victorious, centurion of the Legio VII, erected the altar in honour of the Lugo garrison and of the Victorius Secundus and Victor, his freedmen.
* Ostian sacerdos remembered through his participation in the dedication of the monumental leontocephalic image erected under Commodus in 190 CE.
This sculpture of Mithras killing the bull was dedicated to the “incomprehensible god” by a certain priest called Gaius Valerius Heracles.
Antistes and patron of the Mithraea of the Painted Walls and the Imperial Palace at Ostia.
