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Bronze fibula from Petronell-Carnuntum, depicting a standing lion-headed Aion.
Two limestone sculptures depicting a recumbent lion and a lioness stood near the entrance of the Mithraeum of Fertőrákos, positioned at the threshold of the sanctuary.
The archeologists have found three fragments of the Tauroctony of Lucciana, which includes Cautes and Cautopates.
This altar dedicated to Helios Mithras by a certain Sagaris was repurposed in the masonry of Palazzo Bagnoli, Venosa, Italy.
This inscription by a certain Memmius Placidus is the first ever found signed by a Heliodromus.
The City of Darkness unique fresco from the Mithraeum of Hawarte shows the tightest links between the western and eastern worship of Mithras in Roman Syria.
Fragment of a white marble statue of Mithras killing the bull from Rusicade, today Skikda, Algeria.
White marble statue of Cautopates with crossed legs, accompanied by an owl beside a tree trunk.
White marble statue of Mithras killing the sacred bull preserved in the Museo Nacional Romano.
The Mithraic nature of the frescoes of Oea, according to the scholars Cumont and Vermaseren, is now questioned.
Sandstone petrogenesis from Petronell-Carnuntum (Lower Austria), depicting Mithras emerging from the rock, preserved from the knees upwards.
Sandstone relief of Mithras killing the bull, broken in two parts and partly restored, with dog, serpent and scorpion preserved; formerly in Vienna, now on loan to the Museum Carnuntinum.
Stela dedicated to Mithras Invictus, found in 1895–1896 at Epamantodurum (modern Mandeure), in the territory of the civitas Sequanorum (Gallia Belgica). The inscription records a vow to Mithras Invictus made for the welfare of Sextus Maenius Pudens.
The importance of the Mithraeum of Marino lies in its frescoes, the most significant of which is that of Mithras slaying the bull, surrounded by mythological scenes.
The main relief of Mithras killing the bull from the Mithraeum of Dura Europos includes three persons named Zenobius, Jariboles and Barnaadath.
A serpent emerging from a umbilicus at the side of the stele coils over Mithras naked body.
The lion-headed god is standing on a globe encicled by two crossed bands on which five pearls.