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This relief of Mithras killing the bull, now on display in Stuttgart, includes a small altar with a sacrificial knife and an oil lamp.
This fragmentary relief shows Cautopates bordered by three of the six zodiacal signs with which He is associated: Capricorn, Sagittarius and Scorpio.
The Mithraeum was found in one of the rooms of the Horrea built in the years 120 - 125 AD. The installation of the shrine may have taken place in the first half of the third century.
Mithras rock-born from Villa Giustiniani was holding a bunch of grapes in its raised right hand instead of a torch, probably due to a restoration.
The Mithraeum of Caernarfon, in Walles, was built in three phases during the 3rd century, and destroyed at the end of the 4th.
The Mithraeum of the terms of Mithras takes its name from being installed in the service area of the Baths of Mithras.
This monument to the invincible god Mithras was inscribed on the façade of the church of Aiello deil Friuli, Aquileia.
This altar to Mithras is dedicated by a certain Gaius Iulius Castinus, legate prefect of the emperors.
The House of the Mithraeum of the Painted Walls was built in the second half of the 2nd century BC (opus incertum) and modified during the Augustan period.
The Mithraeum Felicissimus has a floor mosaic depicting the seven mithraic grades.
The Mithraeum in Halberg hill, near Saarbrücken, is one of the oldest historical places in the area.
The Mithraeum near Porta Romana was connected to a Sacello, but the door was blocked.
The two companions of Mithras carry a torch and a shepherd's staff at the third Mithraeum in Frankfurt-Heddernheim, formerly Nida.
The cantharus of Trier is reminiscent of the crater that often appears in tauroctony scenes collecting the blood from the slaughtered animal.
The sculpture of Mithras slaying the bull was transported from Rome to London by Charles Standish in 1815.
The sculpture of Aion from Florence, Italy, has the usual serpent, coiled six times on its body, whose head rests on that of the god of eternal time.
The red ceramic vessel from Lanuvium shows Mithra carrying the bull, followed by the dog, and the Tauroctony on the opposite side.
Except for the serpent, the sculpture of the taurcotony found on the Esquiline Hill lacks the usual animals that accompany Mithras in sacrifice.
The Mitreo dei Marmi Colorati takes its name after the discovery of a black-and-white mosaic of Pan fighting with Eros.
