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The House of the Mithraeum of the Painted Walls was built in the second half of the 2nd century BC (opus incertum) and modified during the Augustan period.
The Mithraeum Felicissimus has a floor mosaic depicting the seven mithraic grades.
The Mithraeum in Halberg hill, near Saarbrücken, is one of the oldest historical places in the area.
The Mithraeum near Porta Romana was connected to a Sacello, but the door was blocked.
The two companions of Mithras carry a torch and a shepherd's staff at the third Mithraeum in Frankfurt-Heddernheim, formerly Nida.
The cantharus of Trier is reminiscent of the crater that often appears in tauroctony scenes collecting the blood from the slaughtered animal.
The sculpture of Mithras slaying the bull was transported from Rome to London by Charles Standish in 1815.
The sculpture of Aion from Florence, Italy, has the usual serpent, coiled six times on its body, whose head rests on that of the god of eternal time.
The red ceramic vessel from Lanuvium shows Mithra carrying the bull, followed by the dog, and the Tauroctony on the opposite side.
Except for the serpent, the sculpture of the taurcotony found on the Esquiline Hill lacks the usual animals that accompany Mithras in sacrifice.
The Mitreo dei Marmi Colorati takes its name after the discovery of a black-and-white mosaic of Pan fighting with Eros.
The marble Tauroctony of Asciano, Siena, was donated by Franz Cumont to the Academia Belgica, Rome.
The Mithraeum of the Animals was decorated with a mosaic depicting a naked man, a cock, a raven, an scorpion, a snake and the head of the bull.
Two small fragments of a relief with the representation of Mithras tauroctone and the two torchbearers in a grotto.
Inscription carved on the pairs of columns on the backs of the five thrones, which stand on the west and east part of the terrace.
The Mithraeum of Cyrene is preserved among the remarkable ruins of the ancient capital of the Roman province of Cyrene.