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Yellow sandstone relief from the Mithraeum at Dieburg depicting Hercules standing with the Nemean lion
The brick altar of the Mithraeum Menander was covered with marble slabs bearing a crescent and an inscription.
Arched marble tauroctony relief in two fragments from Sofia, ancient Serdica in Thracia, divided into three parts, with Mithras killing the bull in the centre and subsidiary scenes on either side; the weathered surface limits identification.
Architectural and numismatic finds from the Mithraeum at Serdica, Thracia, comprising a door cornice, a capital fragment, two pilaster pieces, a stone water-basin, and two coins of Arcadius deposited when the sanctuary was reused as a cellar.
White marble tauroctony relief from Sofia, ancient Serdica in Thracia, found near the Church of St. Kral, depicting the standard bull-slaying with the full iconographic programme.
This altar to the god Sol invicto Mithra was erected by a legate during Maximin’s reign in Lambaesis, Numidia.
This Mithraic shrine on the island of Ponza is renowned for its exceptional stucco zodiac and astral symbolism linked to Roman Mithaism.
Serdika or Serdica is the historical Roman name of Sofia, now the capital of Bulgaria. Currently, Serdika is the name of a district located in the city.
This inscription shows that Publilius Ceionius, most distinguished man, dedicated a temple to Mithras at Mila, in the modern Constantina, Algeria.
Solis invicti Mithrae studiosus astrologiae who was at the same time ’caelo devotus et astris’.
This inscription was commissioned by a family of priests of the invincible god Mithras.
The epigrahy includes a mention of Marcus Aurelius, a priest of the god Sol Mithras, who bestowed joy and pleasure on his students.
The House of the Mithraeum of the Painted Walls was built in the second half of the 2nd century BC (opus incertum) and modified during the Augustan period.
The Mithraeum of the terms of Mithras takes its name from being installed in the service area of the Baths of Mithras.
The Rites of Hekate is a personal yet deeply rooted academic account of the current understanding of this ambivalent goddess, presented as an arcane and liminal archetype.
A study that re-examines Roman Mithraism through epigraphic evidence and comparative analysis, exploring its links with Orphism, Platonism, and Iranian traditions, and presenting the cult of Mithras as a solar path of individual spiritual awakening between East and West…
Interprets Mithraism as an initiatory path of inner transformation, reading its myths and rites as symbolic maps of consciousness rather than as historical narratives, and includes an appendix with the Ritual of Mithra from the Great Magical Papyrus of Paris…
India, beyond all other countries on the face of the earth, is preeminently the home of the worship of the Phallus—Linga puja. It has been so for ages and remains so still.
Peter Mark Adams’ The Game of Saturn: Decoding the Sola-Busca Tarocchi is the first full length, scholarly study of the enigmatic Renaissance masterwork known as the Sola-Busca tarot.
