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Mithras born from the rock with a snake raising in coils around it.
The sculpture of Mithras slaying the bull was transported from Rome to London by Charles Standish in 1815.
Szony's bronze plate shows Mithra slaying the bull and the seven planets with attributes at the bottom of the composition.
In Aquincum petrogenia, Mithras holds the usual dagger and torch as he emerges from the rock.
The relief of Mithras slaying the bull of Sisak includes the zodiac and multiple scenes from the myth of Mithras.
Engraving with cosmological and symbolic mithraic elements.
Palæographia Britannica: or, discourses on antiquities that relate to the history of Britain. Number III.
The folio depicts three tauroctonies and a Mithras Triumphantes standing on a bull with the globe in one hand and the dagger in the other.
Glass paste imprint depicting the Tauroctony surrounded by symbolic figures.
Imprint on glass of a Tauroctony exposed at Winckelmann Museum.
According to Christopher A. Faraone, the axe-head from Argos belong to a category of thunderstones reused as amulets.
According to Pettazzoni Aion in general finds its iconographical origin in Egypt. Mithras must have been worshipped in Egypt in the third century B.C.
In the tauroctony of Jabal al-Druze in Syria, the snake appears to be licking the head of the bull's penis.
The second tauroctony of Jabal al-Druze seems to have be made by the same sculptor.
This sculpture of Mithras slaying the bull was bequeathed to the Republic of Venice in 1793 by Ambassador Girolamo Zulian.
The Tauroctony relief of Mithras killing the bull walled in the Cortile of the Belvedered, Vatican City, was found by Fagan near Ostia.
This sculpture of Mithras sacrificing the bull was found in the Quirinal and is now on display in the Musei Capitolini.
The marble Tauroctony of Asciano, Siena, was donated by Franz Cumont to the Academia Belgica, Rome.
In the mithraic relief of Entrains, the god Sol is depicted riding his chariot together with Luna and a krater surrounded by a serpent.