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Tauroctony from a gemme, printed on Le gemme antiche figurate di Leonardo Agostini.
Palæographia Britannica: or, discourses on antiquities that relate to the history of Britain. Number III.
The folio depicts three tauroctonies and a Mithras Triumphantes standing on a bull with the globe in one hand and the dagger in the other.
Glass paste imprint depicting the Tauroctony surrounded by symbolic figures.
Imprint on glass of a Tauroctony exposed at Winckelmann Museum.
According to Christopher A. Faraone, the axe-head from Argos belong to a category of thunderstones reused as amulets.
The red ceramic vessel from Lanuvium shows Mithra carrying the bull, followed by the dog, and the Tauroctony on the opposite side.
This sculpture of Mithras slaying the bull was bequeathed to the Republic of Venice in 1793 by Ambassador Girolamo Zulian.
This sculpture of Mithras sacrificing the bull was found in the Quirinal and is now on display in the Musei Capitolini.
The marble Tauroctony of Asciano, Siena, was donated by Franz Cumont to the Academia Belgica, Rome.
Possibly a Mithraic scene discovered in Mödling, Austria.
The relief of Mithras killing the bull of Zadar includes a naked Sol in a quadriga.
The relief of Mithras killing the bull of Bologna depicts several scenes of the mithraic myth.
This stone in basso relief of Mithras killing the bull was found 10 foot underground in Micklegate York in 1747.
