Consult all cross-database references at The New Mithraeum.
The Mithraeum II in Stockstadt was in fact the first one known built in the vicus. It was destroyed by fire around 210.
The Mithraeum I in Stockstadt contained images of Mithras but also of Mercury, Hercules, Diana and Epona, among others.
Red sandstone altar from Stockstadt, featuring a square cavity in the front that contained a fragment of crystal and a small lamp.
Bronze fibula from Petronell-Carnuntum, depicting a standing lion-headed Aion.
Sandstone petrogenesis from Petronell-Carnuntum (Lower Austria), depicting Mithras emerging from the rock, preserved from the knees upwards.
Sandstone base from Vetera (Xanten), Germania Inferior, with a relief of Cautes in Oriental dress holding a long burning torch.
Sandstone relief depicting the god Aion, standing with wings, a staff and a key, accompanied by a lion and a serpent-entwined vessel.
Sandstone statue of Cautopates holding two downward-pointing torches, from the Ober-Florstadt Mithraeum.
Mithraeum discovered in 1887–1888, located about 85 m north of the castellum at Ober-Florstadt, built on a hillside with a central aisle, benches, and an altar podium.
Fragmentary sandstone relief from Rückingen showing a male figure walking right and holding a kantharos. Traces on the chest may indicate a torques or shoulder-cape.
This bust of a lion-headed figure has been was part of a French private collection.
This is one of the three reliefs depicting Mithras killing the bull that the Louvre Museum acquired from the Roman Villa Borghese collection.
A marble head in the Uffizi Gallery, long interpreted as a “dying Alexander,” but probably representing Mithras tauroctonos.
Marble plaque with inscription by a certain Ursinus found in Virunum in 1838.
The Mithraeum of Sutri was built inside a rocky hill that also hosted the Roman theatre of the city.
White marble relief depicting Mithras as bull-slayer in a grotto from the Froehner collection, now in the Cabinet des Médailles, Paris.
Marble inscription recording the dedication of a cult image to the unconquered Mithras by a certain pater Valerius Marinus from Rome.
Currently in the Musei Vaticani, this Tauroctony includes Mithras’s birth restored as Venus anaduomene.
This lion-headed figure from Nida, present-day Frankfurt-Heddernheim, holds a key and a shovel in his hands.
Even if only a few fragments remain, it is very likely that the main niche of the Mitreo di Santa Prisca contained the usual representation of Mithras killing the bull.
