Consult all cross-database references at The New Mithraeum.
The base of the column bears an inscription that records the rebuilding of a palace at Ectabana ’by the favour of Ahuramaza, Anahita and Mithra’.
The Mithraeum of Visentium, near Capodimonte in Viterbo, was carved grotto-style into a tuff cliff overlooking the waters of Lake Bolsena, just a few dozen metres away.
The Mithraeum of Sutri was built inside a rocky hill that also hosted the Roman theatre of the city.
The Mithraeum was inserted into the basement of the basilica-theater by the 3rd century.
"The remaining figure on this monument, Herakles, was previously misidentified as Apollo on this remarkable black basalt tablet from Samsat, known in Roman times as Samosata.
This monumental head of Antionchus I of Commagene is in Nemrut Dağı together with other representations of the Greco-Iranian king.
This dedicatory inscription by Aurelius Seleucus, found in Cilicia, aligns with Plutarch’s account of Cilician pirates performing foreign sacrifices and secret rites of Mithras.
The Mithraic relief from Baris, in present-day Turkey, shows what appears to be a proto-version of the Tauroctony, with a winged Mithras surrounded by two Victories.
The Mühltal Mithraic crater was discovered among the artefacts of a mithraeum found in Pfaffenhoffen am Inn, Bavaria.
This plaque, located on the western staircase of the Palace of Darius, mentions the god Mithra together with Ahura Mazda as protectors of King Artaxerxes III Ochus.
The Mithraeum of Marino presents an unusually elongated structure with depictions from the Severian period.
These fragments of a monumental relief of Mithras killing the bull from Koenigshoffen were reassembled and are now on display at the Musée Archéologique de Strasbourg.
The relief of Mithras slaying the bull at Mauls in Gallia cisalpina is a paradigmatic example of the so-called Rhine-type Tauroctony.
Franz Cumont considers the bas relief of Osterburken ’the most remarkable of all the monuments of the cult of Mithras found up to now’.
This relief is so well-known that it has been reproduced in nearly every handbook of archaeology and of history of religions.
The importance of the Mithraeum of Marino lies in its frescoes, the most significant of which is that of Mithras slaying the bull, surrounded by mythological scenes.
The tauroctonic relief from Dragus includes a naked flying figure that Vermaseren has identified as Phosporus or Lucifer.
This relief of Mithras killing the bull includes various singular features specific to the Danubian area.
This remarkable marble statue of Mithras killing the bull from Apulum includes a unique dedication by its donor, featuring the rare term signum, seldom found in Mithraic contexts.
