Consult all cross-database references at The New Mithraeum.
This relief of Mithras slaying the bull, framed by acanthus leaves, was sold at auction in 2011 by Bonhams.
The relief depicts the birth of Mithras, holding a globe, surrounded by the zodiac.
Gold lamina from Ciciliano showing a nude, serpent-entwined Aion-Kronos holding a key and surrounded by Greek voces magicae (2nd c. CE).
The lion-headed figure from Rusicade, now Skikda, holds a key in both hands and features a pine cone beside his feet.
Several iron fragments found in the second mithraeum of Güglingen may have been used during mithraic ceremonies.
The Aion / Phanes relief, currently on display in the Gallerie Estensi, Moneda, is associated with two Eastern mysteric religions: Mithraism and Orphism.
The marble Aion from the lost Mithraeum Fagan, Ostia, now presides the entrance to the Vatican Library.
The name of this domus comes from the fact that some authors once associated one of its mosaics with the cult of Mithras, a connection that has since been dismissed.
Although the site at Cerro de San Albín is not a Mithraeum, archaeologists have found several monuments related to the cult of Mithras.
This scene of a feast from Mérida shows three persons at a table with other people standing beside them, one holding a bull’s head on a plate.
This inscription commemorates the building of a mithraeum in Bremenium with fellow worshippers of Mithras.
Figures in procession, each representing a different grade of Mithraic initiation, labeled with their respective titles.
Bronze statuette of Mithras in his characteristic bull-slaying pose, though only the god has been preserved.
The person who commanded the sculpture may have been M. Umbilius Criton, documented in the Mitreo della Planta Pedis.
This sculpture of Mithras killing the bull was dedicated to the ’incomprehensible god’ by a certain priest called Gaius Valerius Heracles.
The frescoes depict several figures dressed in different garments associated with the Mithraic degrees.
