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Statue in yellow sandstone found in the pit of the Mithraeum of Dieburg, showing Mithras standing beside an altar with bow and arrow, accompanied by a vase and associated with the water miracle.
Greek graffiti scratched on wall plaster, recording a list of everyday expenses from Dura-Europos, Roman Syria.
The Stockstadt Mercury carries a purse and a small child around which a snake is coiled.
Red sandstone altar from Stockstadt, featuring a square cavity in the front that contained a fragment of crystal and a small lamp.
Sandstone base from Vetera (Xanten), Germania Inferior, with a relief of Cautes in Oriental dress holding a long burning torch.
Mithraeum discovered in 1887–1888, located about 85 m north of the castellum at Ober-Florstadt, built on a hillside with a central aisle, benches, and an altar podium.
Fragmentary sandstone relief from Rückingen showing a male figure walking right and holding a kantharos. Traces on the chest may indicate a torques or shoulder-cape.
The Mithraeum of Sutri was built inside a rocky hill that also hosted the Roman theatre of the city.
This Mithraic temple, also known as the Mithraeum of the Olympii, dates to the 3rd century and was rediscovered in 15th-century Rome, but it has not been preserved.
Fragmentary relief corner depicting Mithras as bull-slayer, preserving the bull’s hindquarters, scorpion, serpent and part of a torchbearer, with a partial inscription.
Small triangular slab bearing a Latin inscription referring to Sol Invictus and to a sacred cave, probably dating to the 4th century AD.
This fragmentary relief depicts Mithras killing the bull in the usual manner, remarkably dressed in oriental attire.
A number of metal objects and weapons have been found in the Mithraeum of Les Bolards, close to Nuits-Saint-Georges in France.
The Mithraeum des Bolards was integrated into a therapeutic cultural complex related to healing waters.
Genet aborde les thèmes qui lui sont chers, dans les règles de l’art mais en laissant affleurer un lyrisme bien tenu.
Dans un VIIIᵉ siècle uchronique où Mithra est devenu le dieu officiel de Rome, Rachel Tanner imagine un empire impitoyable, déchiré entre révoltes barbares, intrigues politiques et résistances occultes, porté par une fresque de fantasy historique d’une intensité rare…
