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The Mithraeum was found in one of the rooms of the Horrea built in the years 120 - 125 AD. The installation of the shrine may have taken place in the first half of the third century.
The Mithraeum of Lucretius Menander was installed in the early 3rd century in an alley to the east of a Hadrianic building named after the solar god temple.
The Mithraeum in the Chapel of the Three Naves was not linked to the cult of Mithras until recently because of a mosaic showing a pig, in the belief that it was an animal unfit for consumption in a temple of Eastern origin.
This marble basin found in the Mithraeum of the Footprint bears an inscription of a certain Umbilius Criton, associated with a monumental tauroctonic sculpture also found in Ostia.
The floor of the central aisle of the Mithraeum of the Footprint in Ostia has a mosaic depicting a snake and a footprint.
The head of Mithras had seven holes made for fastening rays.
A votive altar referring to the cult of Mithras was found more than forty years before the site was excavated and the Mithraeum discovered.
The Mithraeum of the terms of Mithras takes its name from being installed in the service area of the Baths of Mithras.
The House of the Mithraeum of the Painted Walls was built in the second half of the 2nd century BC (opus incertum) and modified during the Augustan period.
The vase bears an inscription to the god but also 'king' Mithras.
This stele found at the foot of the Aventine bears an inscription of Kastos father and son, and mentions several syndexioi who shared the same temple.
The Mitreo Fagan revealed remarkable sculptures of leon-headed figures now exposed at the Vatican Museum.
Mithras birth from the knees upwards emerging from a rock and wearing as usual a Phrygian cap.
The Aion-Chronos of Mérida was found near the bullring of the current city, once capital of the Roman province Hispania Ulterior.
This standing sculptural figure from Mérida appears to carry the serpent staff, characteristic of the medicine god Aesculapius.
Roger Beck revisits the zodiac circle of the Mithraeum on the island of Ponza, a composition unique within the Mithraic corpus. His reading places the monument in relation to cosmology, ritual space, and Mithraic doctrine.
The Mithra Tauroctonos from Syracuse, Sicily, is currently on display in the city's archaeological museum.
The cantharus of Trier is reminiscent of the crater that often appears in tauroctony scenes collecting the blood from the slaughtered animal.
The discovery of the Mithraeum of Tarquinia is due to the Department for Protection of Cultural Heritage of the Carabinieri, who noticed some clandestine excavations near the Ara della Regina.
The sculpture of Aion from Florence, Italy, has the usual serpent, coiled six times on its body, whose head rests on that of the god of eternal time.
