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This shrine developed towards the end of 2nd century and remained active until beginning 4th.
The name of the Mithraeum of the Seven Gates refers to the doors depicted in the mosaic that decorates the floor, symbolising the seven planets through which the souls of the initiates have to pass.
A possible Mithraeum II was found in Bingen, but the few remains are not sufficient to prove it.
The Mithraeum of Vulci is remarkable because of his high benches and the arches below them.
The lion-headed statue of Hedderneheim is a reconstruction from fragments of two different sculptures.
The two companions of Mithras carry a torch and a shepherd's staff at the third Mithraeum in Frankfurt-Heddernheim, formerly Nida.
The relief of Mithras slaying the bull from Nida's Mithraeum III was found in two pieces in 1887, destroyed during an air raid on Frankfurt in 1944, and restored in 1986.
The first members of the Wiesloch Mithraeum may have been veterans from Ladenburg and Heidelberg.
The iconography of the platter of Ladenburg might evoke the food consumed during Mithraic banquets.
The sculpture of Mithras slaying the bull was transported from Rome to London by Charles Standish in 1815.
In the Mithraeum of S. Capua Veteres, Cautes stands between two laurel trees.
The marble shows Mithras slaying the bull, on one side, and Sol and Mithras feasting on a bull skin, on the other.
The second statue of Mithras rock-birth was found in the Mitreo di Santo Stefano Rotondo shows a childish Mitras emerging from the rock.
This temple of Mithras on the north side of the Capitoline Hill in Rome no longer exists.
Relief of Heracles/Hercules capturing the Golden Hind of Artemis.
A dinner scene with Sabina from the Catacombe dei Santi Marcellino e Pietro, near Rome, may have been commissioned by a follower of Mithras.
Luna riding a biga in the Mithraeum of Santa Capua Vetere.
Tauroctony from a gemme, printed on Le gemme antiche figurate di Leonardo Agostini.
Glass paste imprint depicting the Tauroctony surrounded by symbolic figures.
According to Christopher A. Faraone, the axe-head from Argos belong to a category of thunderstones reused as amulets.
