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Two extracts from De abstinentia ab esu animalium by Porphyry on sacrifices and the importance of abstinence from animal food among Persian Magi.
Two excerpts from the ’Life of Commodus’ in Lampridius’ Historia Augusta, dating from the 4th century CE.
Pseudo-Plutarch, De fluviis. Goodwin, Ed. Plutarch. Plutarch’s Morals. Translated from the Greek by several hands. Corrected and revised by. William W. Goodwin, PH. D. Boston. Little, Brown, and Company. Cambridge. Press of John Wilson and son.
Pseudo-Plutarch, De fluviis. Goodwin, Ed. Plutarch. Plutarch’s Morals. Translated from the Greek by several hands. Corrected and revised by. William W. Goodwin, PH. D. Boston. Little, Brown, and Company. Cambridge. Press of John Wilson and son.
The site of Ay-Todor in Crimea revealed a Roman camp, a temple with votive offerings, and a Mithraeum.
The name of this domus comes from the fact that some authors once associated one of its mosaics with the cult of Mithras, a connection that has since been dismissed.
Figures in procession, each representing a different grade of Mithraic initiation, labeled with their respective titles.
This lamp, depicting a man slicing his victim into pieces with a sword, was believed to be associated with the Cult of Mithras.
Procession of Leones carrying animals, bread, a krater, and other objects in preparation for a feast.
The Mithraeum of Saara, Syria, has been identified through the deciphering of the remains of the iconographic programme on its arch.
The Dream of Scipio, the Orphic Gold Plates, and the Mithra Liturgy are compared revealing a common cosmovision predicated on the microcosm.
Over the last century or so, a great deal has been said about the god Mithras and his mysteries, which became known to the European world mainly through his Roman cultus during the Imperial Period.
Upon first examination, archaeologists interpreted the inscription on the cult vessel from Gradishje as referencing Mithras, though it has since been re-evaluated.
This altar is dedicated to the birth of Mithras by a frumentarius of the Legio VII Geminae.
This sandstone altar found in Cologne bears an inscription to the goddess Semele and her sisters.
Aemilius Chrysanthus shares the expenses of this monument with a decurio named Limbricius Polides.
This white marble relief depicting a lion-headed figure from Ostia is now exposed at the Musei Vaticani.
This inscription was commissioned by a family of priests of the invincible god Mithras.
This small cippus to Zeus, Helios and Serapis includes Mithras as one of the main gods, although some authors argue that it could be the name of the donor.
This altar for the completion of a temple to Sol Invictus by Flavius Lucilianus was found in Fossa, Italy.