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This black marble of Mithras killing the Bull has belonged to the sculptor Carlo Albacini.
This altar dedicated to Helios Mithras by a certain Sagaris was repurposed in the masonry of Palazzo Bagnoli, Venosa, Italy.
This inscription by a certain Memmius Placidus is the first ever found signed by a Heliodromus.
White marble relief, found near Aix "a la Torse dans un enclos ayant appartenu à la famille de Colonia".
This inscription by a certain Aphrodisius was found under the old city hall of Algiers.
This white marble relief depicting a lion-headed figure from Ostia is now exposed at the Musei Vaticani.
White marble statue of Mithras killing the sacred bull preserved in the Museo Nacional Romano.
Sandstone petrogenesis from Petronell-Carnuntum (Lower Austria), depicting Mithras emerging from the rock, preserved from the knees upwards.
Sandstone relief of Mithras killing the bull, broken in two parts and partly restored, with dog, serpent and scorpion preserved; formerly in Vienna, now on loan to the Museum Carnuntinum.
Upon first examination, archaeologists interpreted the inscription on the cult vessel from Gradishje as referencing Mithras, though it has since been re-evaluated.
The importance of the Mithraeum of Marino lies in its frescoes, the most significant of which is that of Mithras slaying the bull, surrounded by mythological scenes.
This is one of the three reliefs depicting Mithras killing the bull that the Louvre Museum acquired from the Roman Villa Borghese collection.
The main relief of Mithras killing the bull from the Mithraeum of Dura Europos includes three persons named Zenobius, Jariboles and Barnaadath.
The rich mosaics of the Mithraeum of the Seven Spheres include the the signs of the Zodiac.
This enigmatic fresco on top of the main tauroctony shows Mithras killing the bull, accompanied by Cautes and Cautopates, surrounded by burning altars and cypress trees.
This painting depicts an Iranian knight holding in a chain a black naked figure with two heads.
The second statue of Mithras rock-birth was found in the Mitreo di Santo Stefano Rotondo shows a childish Mitras emerging from the rock.
In one of Hawarte’s frescoes, the rock birth of Mithras is preceded by Zeus and followed by the young Persian god suspended from a cypress tree.
Around the relief with Mithras as a bullkiller, a number of scenes from the Mithras Iegend have been painted in the Mithraeum of Dura Europos.
The votive fresco from the Mithraeum Barberini displays several scenes from Mithras’s myth.
