Your search Cerro de San Albín gave 592 results.
Fresco showing a mystagogus pressing down the shoulders of a kneeling myste, attended by a third figure in Phrygian cap, from the initiation sequence of the Mithraeum of Capua.
Fresco showing two persons standing behind each other, from the initiation sequence of the Mithraeum of Capua.
Fresco showing a standing figure in a small cloak approached by two other persons, from the initiation sequence of the Mithraeum of Capua.
Badly damaged fresco fragment showing a person in red attire in a kneeling position, from the initiation sequence of the Mithraeum of Capua.
Fresco depicting Cautopates in Eastern attire between two laurels, cross-legged, pointing his torch downwards over a burning altar, from the Mithraeum of Capua.
Head in Phrygian cap with a sorrowful expression, used as a protome in the Amphitheatre of Capua and interpreted as a head of Mithras.
The v in this small altar found in Novaria has been interpreted by some commentators as qualifying Mithras as victorious.
Continuation of the frescoes depicting an initiation into the Mithras cult, where two attendants present a repast to Mithras and Sol.
Saul cutting the oxen to pieces poses as Mithras Tauroctonos in this painting, which adorns the mantelpiece of Henry II’s bedroom at the Château d’Écouen near Paris.
The Aion / Phanes relief, currently on display in the Gallerie Estensi, Moneda, is associated with two Eastern mysteric religions: Mithraism and Orphism.
This low relief on an altar of Mithras killing the bull was found in a church in Pisignano, south of Ravenna.
The donor of this Mithraic inscription from Bolsena, a certain Tiberius Claudius Thermoron, is known from two other monuments.
