Your search Concetta Luna gave 187 results.
Dedicated multiple monuments to Mithras, Fortuna Primigenia and Diana in Etruria.
Pater Curius Iuvenalis is attested in the first known monument dedicated by a Heliodromus.
The relief of Mithras slaying the bull of Nersae includes several episodes from the exploits of the solar god.
This unusual piece depicts Mithras slaying the bull on one side and the Gnostic god Abraxas on the other.
Dominique Persoons proposes a reconstruction of Mithraic ritual based on archaeological remains, frescoes, and zodiacal symbolism. He interprets the mithraeum as a liturgical microcosm governing the descent, purification, and ascent of souls.
At Rome’s twilight, amid political upheaval and Christian ascendancy, Vettius Agorius Praetextatus embodied pagan intellect, virtue, and authority across senatorial, military, and mystical spheres.
This article revisits the Mithraeum of S. Maria Capua Vetere, one of the most complete and artistically refined Mithraic sanctuaries in the Campanian region, situating it within its archaeological, iconographic, and ritual-historical contexts.
The sculpture of Mithras slaying the bull found in Dormagen is exposed at Bonn Landesmuseum.
This relief of Mithras tauroctonus and other finds were discovered in 1845 in Ruše, where a Mithraeum probably existed.
A gold coin depicting a bearded god with a crescent facing another god with a nimbus and a radiate crown, identified as Mithras by Vermaseren.
This Mithraic relief of the Danubian type was found in 1940 in the old town of Plovdiv.
The relief of Mithras slaying the bull at Mauls in Gallia cisalpina is a paradigmatic example of the so-called Rhine-type Tauroctony.
This plaque was found in Mithraeum I at Stockstadt broken into pieces inserted between the blocks of the socle of the cult relief, in the manner of a votive deposit.
Carrara is a town and comune in Tuscany, in northern Italy, of the province of Massa and Carrara, and notable for the white or blue-grey marble quarried there.
This is one of the three reliefs depicting Mithras killing the bull that the Louvre Museum acquired from the Roman Villa Borghese collection.
White marble relief depicting Mithras as bull-slayer in a grotto from the Froehner collection, now in the Cabinet des Médailles, Paris.
Currently in the Musei Vaticani, this Tauroctony includes Mithras’s birth restored as Venus anaduomene.
Sandstone relief of Mithras as bull-slayer, found at Petronell in 1932, with dog, serpent and scorpion, traces of polychromy preserved, now in the Museum Carnuntinum.
Sandstone relief of Mithras killing the bull, broken in two parts and partly restored, with dog, serpent and scorpion preserved; formerly in Vienna, now on loan to the Museum Carnuntinum.
The altar of the Mithraeum of San Clemente bears the Tauroctony on the front, Cautes and Cautopates on the right and left sides and a serpent on the back.
