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Over the last century or so, a great deal has been said about the god Mithras and his mysteries, which became known to the European world mainly through his Roman cultus during the Imperial Period.
This eulogy of Saint Eugene of Trapezos tells how, in the time of Diocletian, he and two other Christian fellows destroyed a statue of Mithras.
The Mithraeum of Els Munts, near Tarragona, is one of the largest known to date.
In a house from the time of Constantine, a Lararium was found with a statue of Isis-Fortuna. The Mithraeum was a door next to it, on a lower room.
Translation and Introductory Essay by Robert Lamberton. Station Hill Press Barrytown, New York 1983.
For the launch of our YouTube channel, we chat with the author, poet, essayist and friend Peter Mark Adams about the Sola-Busca Tarot, a Renaissance masterpiece, uncovering ties to the Mithras cult.
For the launch of our YouTube channel, we chat with the author, poet, essayist and friend Peter Mark Adams about the Sola-Busca tarot, a Renaissance masterpiece, uncovering ties to the Mithras cult.
Laurent Bricault has revolutionised Mithraic studies with the exhibition The Mystery of Mithras. Meet this professor in Toulouse for a fascinating look at the latest discoveries and what lies ahead.
A certain Hermanio has been identified in the dedication of several monuments in different cities in Dacia and even in Rome.
This relief of Mithras killing the bull, now on display in Stuttgart, includes a small altar with a sacrificial knife and an oil lamp.
This is the first of several fresco scenes depicting the initiation of a new member in a mithraic community, in Capua Vetere.
The Mithraeum in the Chapel of the Three Naves was not linked to the cult of Mithras until recently because of a mosaic showing a pig, in the belief that it was an animal unfit for consumption in a temple of Eastern origin.
The relief marble of Mithras sacrifying the bull, exposed on the Hermitage Museum comes from Rome.
The Tauroctony of Saarbourg (Sarrebourg, ancient Pons Sarravi), France, contains most of Mithras deeds known in a single relief.
Mithras rock-born from Villa Giustiniani was holding a bunch of grapes in its raised right hand instead of a torch, probably due to a restoration.
The altar includes a slab with an inscription for the salvation of two emperors.
The discovery of the Mithraeum of Tarquinia is due to the Department for Protection of Cultural Heritage of the Carabinieri, who noticed some clandestine excavations near the Ara della Regina.