Your search Farid ud-Din Attar gave 1171 results.
This fragmented altar was erected by two brothers from the Legio II Adiutrix who also built a temple.
The dedicant of this altar to the god Arimanius was probably a slave who held the grade of Leo.
One of the most eminent representatives of late antique pagan religiosity, combining high civic authority with deep initiation into multiple mystery traditions, including the cult of Mithras.
A philosophical study of Iranian civilization that explores its spiritual foundations, including the legacy of Mithraic and Zoroastrian traditions, in order to reflect on Iran’s historical continuity and civilizational meaning.
Interprets Mithraism as an initiatory path of inner transformation, reading its myths and rites as symbolic maps of consciousness rather than as historical narratives, and includes an appendix with the Ritual of Mithra from the Great Magical Papyrus of Paris…
The Mithraeum of Angers, excavated during a preventive operation and subsequently dismantled in 2010, yielded numerous objects, including coins, oil lamps, and a ceramic vessel bearing a votive inscription to the invincible god Mithras.
Stela dedicated to Mithras Invictus, found in 1895–1896 at Epamantodurum (modern Mandeure), in the territory of the civitas Sequanorum (Gallia Belgica). The inscription records a vow to Mithras Invictus made for the welfare of Sextus Maenius Pudens.
The altar of the Mithraeum of San Clemente bears the Tauroctony on the front, Cautes and Cautopates on the right and left sides and a serpent on the back.
Tracing the links between the cult of Mithras and the Proud Boys’ quest for identity, power, and belonging. How ancient rituals and brotherhood ideals resurface in radical modern movements.
The Mithraeum of Santa Maria Capua Vetere includes a marble relief depicting a child Eros guiding Psyche through the dark.
The marble relief of Mithras killing the bull in Naples bears an inscription that calls the solar god omnipotentis.
This slab dedicated to the invincible god, Serapis and Isis by Claudius Zenobius was found in 1967 in the walls of the city of Astorga, Spain.
In this 4th-century Roman altar, the senator Rufius Caeionius Sabinus defines himself as Pater of the sacred rites of the unconquered Mithras, having undergone the taurobolium.
The relief of Aion from Vienne includes a naked youth in Phrygian cap holding the reins of a horse.
This lost monument bears an inscription to Cautes by a certain Tiberius Claudius Artemidorus.
Several Mithraic scenes, including Mithras with Saturn, Mithras with Sol and Mithras' Ascension, are depicted on this fragment of a relief from Ptuj.
The concluding book of Apuleius’ Golden Ass (or Metamorphoses), where Lucius, the story’s protagonist, undergoes initiation into the mysteries of Isis and Osiris.
The sculpture includes a serpent climbing the rock from which Mithras is born.
