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Located at the western entrance to the Palace of Darius in Persepolis, this tablet bears an inscription mentioning Ahuramazda and Mithra.
This altar was erected by Hermadio, who also signed other monuments in Dacia and even in Rome.
Fragmentary marble statue of a woman from the Mithraeum delle Sette Porte.
Its base is partially broken, so it is unclear if the figure was standing on a globe, an expected position, or not.
This second relief depicting a phallus from Tiddis, Algeria, has been positioned alongside its counterpart atop pillars that greet visitors to the Mithras shrine.
Lenni George on Hekate’s development across ancient traditions, from mystery cults to magical practice and philosophical thought.
Small votive altar in white limestone from Aquae Mattiacae, dedicated to Deo Invicto by a miles pius. The top preserves the head of Cautes with his raised torch.
A small limestone altar from Bandorf near Oberwinter dedicated to Deo Invicto Regi. Found in an isolated structure not resembling a mithraeum, its function remains uncertain.
Small limestone altar from Aquincum, Budapest, dedicated to Petra Genetrix.
Dominique Persoons proposes a reconstruction of Mithraic ritual based on archaeological remains, frescoes, and zodiacal symbolism. He interprets the mithraeum as a liturgical microcosm governing the descent, purification, and ascent of souls.
This inscription mentions a Pater for the first known time.
Red sandstone altar from Stockstadt, featuring a square cavity in the front that contained a fragment of crystal and a small lamp.
The article examines two recently discovered Mithraic representations of Cautes from Alba Iulia, focusing on a rare iconographic type showing the torchbearer with a bucranium.
In the eighteenth year of Diocletian’s reign, Galerius Maximianus, persuaded by the sorcerer Theoteknos, consulted demonic oracles in a cave and was urged to initiate the persecution of the Christians.
The image of Mithras killing the bull, found near Walbrook, is surrounded by a Zoadiac circle.
Genet aborde les thèmes qui lui sont chers, dans les règles de l’art mais en laissant affleurer un lyrisme bien tenu.