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The Cilician pirates incorporated significant divine feminine elements, notably Anahita, into their Mithraic practices, profoundly influencing the initiation rites within the Roman Empire.
Although the site at Cerro de San Albín is not a Mithraeum, archaeologists have found several monuments related to the cult of Mithras.
The Mysteries of Mithras is an independent Initiatic Order which is inspired by and uses the allegory of the lost and ancient Mithraic Mysteries also known as Mithraism a previously influential Roman Cult of the same name.
The Mithraeum of Visentium, near Capodimonte in Viterbo, was carved grotto-style into a tuff cliff overlooking the waters of Lake Bolsena, just a few dozen metres away.
Over the last century or so, a great deal has been said about the god Mithras and his mysteries, which became known to the European world mainly through his Roman cultus during the Imperial Period.
There is no consensus on the authenticity of this monument erected by a certain Secundinus in Lugdunum, Gallia.
What appears to be a representation of Mithras killing the bull appears in the 12th century frescoes of the Basilica dei Santi Quattro Coronati in Rome.
Excerpted from Mushroom, Myth and Mithras, this passage elaborates on the Mithraic ritual and the degree of Nymphus.
During the first semester of his sophomore year at Crozer, King composed a paper for Enslin’s course on Greek religion, focusing on Mithraism.
Archaeologists discovered the 20th temple dedicated to Mithras in Ostia during the restoration of the domus del capitello di stucco in 2022.
The Mithraea of Doliche, ancient Dülük, Turkey, are unique in that they represent two distinct shrines on the same site.
A Mithraeum was discovered in 2007, during the excavations at the Zerzevan Castle.
Excavations in 1979 on the remains of the church of Notre-Dame d'Avigonet in Mandelieu, Alpes-Maritimes, brought to light a small mithraeum.
Lors de la construction de l’église Saint-Paul en 1911, un mithraeum a été mis au jour à Königshoffen, vicus gallo-romain situé aux abords du camp légionnaire de Strasbourg-Argentorate.
This silver amulet depicts Abraxas on one side and the first verses of the Book of Genesis in Hebrew on the other.
It is well known that Mithras was born from a rock. However, less has been written about the father of the solar god, and especially about how he conceived him.
This syncretic amulet depicting Abraxas and the word MIΘPAZ was once displayed in the Cappello Museum of Venice.
