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Large apsidal hall with podium discovered at Uruk-Warka, once interpreted as a possible Mithraic sanctuary.
Sassanian-period frescoes discovered at Susa whose possible Mithraic interpretation remains uncertain.
This small Greek dedication from the island of Aenaria invokes Helios Mithras under the epithet “unconquered”.
This marble dedication from Puteoli was offered to Sol Invictus and the genius of the colony by Claudius Aurelius Rufinus together with his wife and son.
Representation of a person lying prostrate on the ground between two other walking figures on the Mitreo of Santa Capua Vetere.
Reliefs of Cautes and Cautopates dedicated by Florius Florentius of Saalburg and Ancarinius Severus.
Antiochus I of Commagene shakes Mithras hands in this relief from the Nemrut Dagi temple.
This scene from the frescoes of the Mitreo di Santa Maria Capua Vetere shows a kneeling, naked man surrounded by two other figures.
In the Mithraeum of S. Capua Veteres, Cautes stands between two laurel trees.
Fresco depicting an initiation scene from the Mithraeum of Capua Vetere.
A fragmentary red sandstone relief preserves the upper part of three-headed Hekate holding a long object in her left hand.
Small votive altar in white limestone from Aquae Mattiacae, dedicated to Deo Invicto by a miles pius. The top preserves the head of Cautes with his raised torch.
Minto has claimed that the time god Aion was painted on the corner of the north wall of the Mitreo de Santa Capua Vetere.
Horsley thought that, like some other inscriptions in the Naworth Collection, this altar also had come from Birdoswald.
This inscription to Mithras Invencible was dedicated by a certain Apronianus in 172 is currently lost.
These two inscriptions by a certain Titus Martialius Candidus are dedicated to Cautes and Cautopates.