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Two extracts from De abstinentia ab esu animalium by Porphyry on sacrifices and the importance of abstinence from animal food among Persian Magi.
Dion Chrysostom, c. 100 A.D., a philosophical writer under the emperors Nerva and Trajan, composed a series of discourses or essays (λόγοι) on various subjects, in one of which he reports concerning the doctrines and practices of the magi.
The scholiast Lactantius Placidus comments on Statius’ passage identifying the Sun as Titan, Osiris, and Mithras, interpreting the Persian cave figure with the bull.
Two excerpts from the ’Life of Commodus’ in Lampridius’ Historia Augusta, dating from the 4th century CE.
Pseudo-Plutarch, De fluviis. Goodwin, Ed. Plutarch. Plutarch’s Morals. Translated from the Greek by several hands. Corrected and revised by. William W. Goodwin, PH. D. Boston. Little, Brown, and Company. Cambridge. Press of John Wilson and son.
Pseudo-Plutarch, De fluviis. Goodwin, Ed. Plutarch. Plutarch’s Morals. Translated from the Greek by several hands. Corrected and revised by. William W. Goodwin, PH. D. Boston. Little, Brown, and Company. Cambridge. Press of John Wilson and son.
The site of Ay-Todor in Crimea revealed a Roman camp, a temple with votive offerings, and a Mithraeum.
Several iron fragments found in the second mithraeum of Güglingen may have been used during mithraic ceremonies.
The Aion / Phanes relief, currently on display in the Gallerie Estensi, Moneda, is associated with two Eastern mysteric religions: Mithraism and Orphism.
Figures in procession, each representing a different grade of Mithraic initiation, labeled with their respective titles.
The frescoes depict several figures dressed in different garments associated with the Mithraic degrees.
This lamp, depicting a man slicing his victim into pieces with a sword, was believed to be associated with the Cult of Mithras.
Procession of Leones carrying animals, bread, a krater, and other objects in preparation for a feast.
The Mithraeum of Saara, Syria, has been identified through the deciphering of the remains of the iconographic programme on its arch.
The votive fresco from the Mithraeum Barberini displays several scenes from Mithras’s myth.
This very fine relief of Mithras killing the bull was discovered in 2014 in Germán, near Sofia, Bulgaria, and is now housed in the Sofia History Museum.
The Mithraeum was inserted into the basement of the basilica-theater by the 3rd century.
The tauroctonic relief from Dragus includes a naked flying figure that Vermaseren has identified as Phosporus or Lucifer.
Tracing the links between the cult of Mithras and the Proud Boys’ quest for identity, power, and belonging. How ancient rituals and brotherhood ideals resurface in radical modern movements.
The Dream of Scipio, the Orphic Gold Plates, and the Mithra Liturgy are compared revealing a common cosmovision predicated on the microcosm.
