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The Aion / Phanes relief, currently on display in the Gallerie Estensi, Moneda, is associated with two Eastern mysteric religions: Mithraism and Orphism.
The Cilician pirates incorporated significant divine feminine elements, notably Anahita, into their Mithraic practices, profoundly influencing the initiation rites within the Roman Empire.
Around the relief with Mithras as a bullkiller, a number of scenes from the Mithras Iegend have been painted in the Mithraeum of Dura Europos.
The Mysteries of Mithras is an independent Initiatic Order which is inspired by and uses the allegory of the lost and ancient Mithraic Mysteries also known as Mithraism a previously influential Roman Cult of the same name.
This dedicatory inscription by Aurelius Seleucus, found in Cilicia, aligns with Plutarch’s account of Cilician pirates performing foreign sacrifices and secret rites of Mithras.
Franz Cumont considers the bas relief of Osterburken ’the most remarkable of all the monuments of the cult of Mithras found up to now’.
This relief is so well-known that it has been reproduced in nearly every handbook of archaeology and of history of religions.
The tauroctonic relief from Dragus includes a naked flying figure that Vermaseren has identified as Phosporus or Lucifer.
This remarkable marble statue of Mithras killing the bull from Apulum includes a unique dedication by its donor, featuring the rare term signum, seldom found in Mithraic contexts.
Tracing the links between the cult of Mithras and the Proud Boys’ quest for identity, power, and belonging. How ancient rituals and brotherhood ideals resurface in radical modern movements.
Mithraic Influence on Early Christian Symbolism and Church – Architecture
This fragmentary scupture of Mithras killing the bull belongs to the Getty Museum, Los Angeles, USA.
The Mithraeum of the Seven Spheres (Sette Sfere) is of great importance for the understanding of the cult, because of its black-and-white mosaics depicting the planets, the zodiac and related elements.
Over the last century or so, a great deal has been said about the god Mithras and his mysteries, which became known to the European world mainly through his Roman cultus during the Imperial Period.
This is the first known inscription that includes Phanes alongside Mithras found in a Mithraic context.
Coin of Istrus, Moesia Inferior, showing Caracalla on one side and a god on horseback (Mithras ?) on the other.
This small bronze statuette of Mithras riding a horse is composed of two pieces.
The most emblematic of the Syrian Mithraea was discovered in 1933 by a team led by the Russian historian Mikhaïl Rostovtzeff.
