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Monumentum

Mithraeum of Dura Europos

The most emblematic of the Syrian Mithraea was discovered in 1933 by a team led by the Russian historian Mikhaïl Rostovtzeff.
 
The New Mithraeum
20 May 2007
Updated on Jun 2026

TNMM 34 ↔ CIMRM 34

In February 1934 a Mithraeum was discovered on the N.W. side inside the rampart of Dura-Europos (Es-Sâlihiyeh) between gate 24 and 23. After the excavations it was transported to New Haven, Gallery of Fine Arts of Yale University.

’When the Mithraeum was founded in about 168 A.D. (see inscr. No. 39) it consisted of three apartments. Room A (L. 4.65 Br. 5.80), the Mithras shrine, was entered by an axial door through a partition separating it from a central chamber B (L. 5.75 Br. 3.50), originally a house diwan, that opened into a courtyard D to the south, and a small chamber C. (L. 3.50 Br. 3.50) to the east’.

The mithraeum of Dura-Europos. New discoveries about an old excavation
L. Dirven, Universiteit van Amsterdam

A was divided into three parts: a paved passage with on either side the benches band c (H. 0.72 Br. 1.70), in which the columns 1 and 2 had been built to support the ceiling, which was approximately 1.65 high over their benches, but about 1.60 higher over the central aisle.

Via the stairs d a rectangular, raised platform a (H. 0.88), in which a round well 9 (diam. 0.32). In front of a stood the main altar with two smaller side-altars, whereas against the backwall two reliefs had been fixed (see infra).

About 210 A.D. (see inscr. No. 53) a first rebuilding took place, because in the general destruction of the quarter the early Mithraeum was also destroyed. The entire sanctuary was enlarged considerably. ’The new alterations consisted of adding an antechamber B to the Mithras shrine by taking out the dividing partition and adding two more columns 3 and 4 on the foundations of that wall (L. 10.90); of building a small room E (L. 5.60 Br. 1.65) on the south and a low bench on the north of this new addition (H. 0.40 Br. 1.70); of turning the east chamber C into a vestibule and porch; of constructing an arched niche back of the altar; and of redecorating the entire chamber’.

Opposite a rectangular recess (L. 1.25 Br. 0.75) in the new podium, there was a basin 10 in the middle of the paved floor (Diam. 0.32) another basin 11 was situated in the former room C. Underneath the columns 3 and 4 two altars e and t were placed.

Finally in ca 240 A.D. a second reconstruction took place, which resulted in the definitive shape of the sanctuary (see fig. 11). ’It is probable that the roof was removed and altered for the construction of the new vaulted spelaeum and the additional columns (5, 6, 7, 8). In the Late Mithraeum, the chamber of the south E was entirely removed and in its place was built a bench, probably low; the low bench on the north side was heightened to the level of the upper benches; two more columns were added to either side, making the chamber more symmetrical; two chambers F (L. 3.25 Br. 6.00) and G (L. 2.50 Br. 6.00) to the north of the building, the earlier history of which is obscure, were joined to the Mithraeum, a narrow passageway being cut through the benches leading to a newly pierced doorway. For the new altar-tabie the aisle between the benches was filled up to the bench level as far as the first pair (I, 2) of colnms and a stair of seven steps was built against the face of this platform. Between the first pair of columns and the wall were built partitions that supported a vault covering the new raised platform’ .

When the walls behind the Mithraeum had to be strengthened against the impendency of the Persians under Sapor, the sanctuary got buried under the sand at the capture of the fortification in 256 A.D.

References

Rostovtzeff in RM 491934 180ff; cf. BCR 1934 (Not.) 121f; AJA XXXIX 1935 4f; 147; 259f and 293ff; Mouterde in MUSJ XIX 1935 123f; Dussaud in Syria XVI 1935 313ff; Cumont in CRAI 1934 90ff; Hopkins in ILN 8 Dec. 1934 963ff; du Mesnil du Buisson in GBA 1935 1ff; CRAI 1935 275ff; Watzinger in die Welt als Geschichte II 1936 397ff; Rostovtzeff e.o. Report 62ff; cf. P. Koschaker in OLZ 1941 271ff; Merlin in JS 1940 36ff. Professor C. B. Welles informs me of the fact that a final report is in preparation.

Related monuments

First Tauroctony relief of Dura Europos

One of the reliefs of the Dura Europos tauroctonies includes several characters with their respective names.

Sol and Mithras fresco of Dura Europos

Sol watches Mithras as he gazes Mithras gazes up to heaven while sharing the sacred meal.

Mithras hunting from Dura Europos

In this fresco from Dura Europos, Mithras is represented as a hunter accompanied by the lion and the serpent.

Main Tauroctony relief from Dura Europos

The main relief of Mithras killing the bull from the Mithraeum of Dura Europos includes three persons named Zenobius, Jariboles and Barnaadath.

 

Frescoes of 'Magis' from Dura Europos

Some scholars have speculated that the scrolls both figures hold in their hands represent Eastern doctrines brought to the Western world.

Fresco with tauroctony and seven cypresses

This enigmatic fresco on top of the main tauroctony shows Mithras killing the bull, accompanied by Cautes and Cautopates, surrounded by burning altars and cypress trees.

Inscription on the restoration of the Mithraeum of Dura Europos

Antonius Valentinus, centurio, made this plaque for the salut des empereurs Septimus Severus and Marcus Aurelius.

Graffiti to Kamerios from Dura Europos Mithraeum

The text mentions a certain Kamerios, described as immaculate miles.

 

Column with inscription from Dura Europos

The inscription pays homage to the emperor, probably Caracalla, to Mithras, the fathers, the petitor and the syndexioi.

Dipinto in red letters from Dura Europos

This short dipinto pays homage to the Lions and the Persians, the 4th and 5th Mithraic degrees.

Scratched words of Kamerios

'Hail to Kamerios the Pater' can be read on one of the walls of the mithraeum at Dura Europos.

Inscription to Tourmasgade from Dura Europos

This inscription by a certain Ioulianos, found at the entrance to the Dolichenum at Dura Europos, bears an inscription to Zeus Helios Mithras et Tourmasgade.

 

Altars of Dura Europos

Three plaster altars within the main altar of the Mithraeum of Dura Europos, two of them with traces of fire and cinders.

Engraved column by Maximus of Dura Europos

A certain Maximus from the Legio IV Scythica engraved his name in one of the columns of the Mithraeum of Dura Europos.

Painted scenes from the Mithras legend at Dura Europos

Around the relief with Mithras as a bullkiller, a number of scenes from the Mithras Iegend have been painted in the Mithraeum of Dura Europos.

Zodiac paintings in the Dura-Europos Mithraeum

Painted zodiac signs covering earlier figures in Phrygian cap in the arched niche of the Later Mithraeum of Dura-Europos, Syria, 3rd century A.D.

 

Large-scale painted heads from Dura-Europos

Fragments of large-scale painted heads belonging to paintings of considerable size, from the Mithraeum of Dura-Europos, Syria, 3rd century A.D.

Painted niche decoration from the Dura Europos Mithraeum

Around the niche of the Dura Europos Mithraeum fragments of a series of small paintings set in a semicircular band of panels were found.

Painted plaster with foliage from Dura-Europos

Fragments of wall plaster decorated with green leaves and tree branches, adhering to the south wall of the Mithraeum of Dura-Europos, Syria.

Figure fragment from the banquet scene at Dura-Europos

Fragment of a figure dressed like Mithras in the banquet scene, found in the rubble of the Mithraeum of Dura-Europos, Syria.

 

Dipinto of Archelao from Dura-Europos

Painted inscription naming a tribune Archelao, found on a column or wall of the Mithraeum of Dura-Europos, Syria.

Graffito with Nâma salutation from Dura-Europos

Graffito bearing the Mithraic salutation Nâma, engraved on column 1 of the Mithraeum of Dura-Europos, Syria.

Dipinto naming the fathers of Dura-Europos

Painted inscription naming the patres and other initiates of the Mithraeum, above the podium in the south-west corner of the Mithraeum of Dura-Europos, Syria.

Graffito naming Antoninus at Dura-Europos

Engraved Nâma inscription addressed to Antoninus, a pious syndexios, from the Mithraeum of Dura-Europos, Syria.

 

Graffito naming Maximus magus at Dura-Europos

Engraved inscription naming Maximus as magus, from column 1 of the Mithraeum of Dura-Europos, Syria.

List of Mithraic grades from Dura-Europos

Partial list of Mithraic initiatory grade titles attested in inscriptions from the Mithraeum of Dura-Europos.

Price list from Dura-Europos

Fragmentary Greek graffito from Dura-Europos recording the prices of everyday goods such as wine, meat, wood and lamp wicks.

Greek graffiti from the Dura Europos Mithraeum

Greek graffiti scratched on wall plaster, recording a list of everyday expenses from Dura-Europos, Roman Syria.

 

Graffito with eisodos and exodos at Dura-Europos

Minute engraved inscription with the words eisodos and exodos (entrance and exit), from column 3 of the Mithraeum of Dura-Europos, Syria.

Graffito on the sacred nitre

Greek ritual graffito scratched on wall plaster in the Mithraeum of Dura-Europos, mentioning the “fiery exhalation” and the “sacred nitre” of the Magi.

Wall plaster inscription fragment from Dura-Europos

Fragmentary inscription on wall plaster from the Mithraeum of Dura-Europos, Syria, with partially legible text.

Parthian dipinto from Dura-Europos

Painted Parthian inscription on a ceramic sherd possibly referring to Mithras as a bull-slayer.

 
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