Your search Roger Jehu Bull gave 423 results.
The Mithraeum of Angers, excavated during a preventive operation and subsequently dismantled in 2010, yielded numerous objects, including coins, oil lamps, and a ceramic vessel bearing a votive inscription to the invincible god Mithras.
This relief of Mithras tauroctonus and other finds were discovered in 1845 in Ruše, where a Mithraeum probably existed.
This limestone relief of Mithras killing the bull bears an inscription by a certain Flavius Horimos, consecrated in a ’secret forest’ in Moesia.
Bas-relief depicting a naked Sol leaning over his fellow Mithras while raising a drinking horn during the sacred feast.
The relief of Dieburg shows Mithras riding a horse as main figure, surrounded by several scenes of the myth.
These two fragments of a sandstone relief were walled into a house on the market square in Besigheim.
Fragment of a double-sided white marble Mithraic relief from San Zeno, found near the Castello di Tuenno, depicting elements of the tauroctony cycle and bearing a dedication to Deo Invicto Mithrae.
This Mithraic relief of the Danubian type was found in 1940 in the old town of Plovdiv.
These fragments of a cult relief of Mithras were found at the Mithraeum II of Ptuj, Slovenia.
The altar of Ptuj depicts Mithras and Sol on the front and the water miracle on the right side.
This plaque was found in Mithraeum I at Stockstadt broken into pieces inserted between the blocks of the socle of the cult relief, in the manner of a votive deposit.
Sandstone relief depicting the god Aion, standing with wings, a staff and a key, accompanied by a lion and a serpent-entwined vessel.
Currently in the Musei Vaticani, this Tauroctony includes Mithras’s birth restored as Venus anaduomene.
The altar of the Mithraeum of San Clemente bears the Tauroctony on the front, Cautes and Cautopates on the right and left sides and a serpent on the back.
The article examines two recently discovered Mithraic representations of Cautes from Alba Iulia, focusing on a rare iconographic type showing the torchbearer with a bucranium.
The Mithraeum of the Crypta Balbi was locted in the middle of a densely populated insula near the theatre of Cornelius Balbus.
An anonymous late-antique Christian poem, traditionally attributed to Pseudo-Paulinus of Nola (Poema 32, vv. 109–111), that ridicules pagan cults and presents Mithras, Isis, and Serapis as gods of concealment, contradiction, and unstable forms rather than light…
The Mithraeum des Bolards was integrated into a therapeutic cultural complex related to healing waters.
Fritz Saxl interprets Mithraism primarily through its images, proposing the cult as a visual cosmology structured around the descent, sacrifice and re-ascent of light, developed in close dialogue with Aby Warburg and Erwin Panofsky.
