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Papers of the international conference "Roman Mithraism: the Evidence of the Small Finds". Tienen 7-8 November 2001.
Dans un VIIIᵉ siècle uchronique où Mithra est devenu le dieu officiel de Rome, Rachel Tanner imagine un empire impitoyable, déchiré entre révoltes barbares, intrigues politiques et résistances occultes, porté par une fresque de fantasy historique d’une intensité rare…
George Ryley Scott explores the significant role that male sexual organs, practices, and rites have played in various traditions throughout history and into the present day.
Le groupe caractéristique « lion, serpent, cratère » marque le rapport avec le culte mithriaque, car comme nous croyons l’avoir montré, ce groupe ne symbolise pas la lutte des éléments, terre, eau et feu, mais la participation des animaux-attributs au sacrifice, par Mithra…
David Ulansey argues that Mithraic iconography was actually an astronomical code, and that the cult began as a religious response to a startling scientific discovery.
This graffito seems to be an account of offerings made by Mithras worshippers in the Cassegiato di Diana.
The frescoes depict several figures dressed in different garments associated with the Mithraic degrees.
The Stockstadt Raven is one of only two standing-alone sculptures of this bird to be found in Mithraic statuary.
