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Small votive altar in white limestone from Aquae Mattiacae, dedicated to Deo Invicto by a miles pius. The top preserves the head of Cautes with his raised torch.
A small limestone altar from Bandorf near Oberwinter dedicated to Deo Invicto Regi. Found in an isolated structure not resembling a mithraeum, its function remains uncertain.
Small limestone altar from Aquincum, Budapest, dedicated to Petra Genetrix.
This unusual piece depicts Mithras slaying the bull on one side and the Gnostic god Abraxas on the other.
A limestone lion holding a flowing urn, discovered at the entrance of the Mithraeum of Les Bolards, reflects the ritual significance of water within the cult of Mithras.
This inscription mentions a Pater for the first known time.
The altar of Sol from Inveresk, Scotland, was pierced, probably to illuminate part of the temple with a particular effect.
The sculpture of Mithras slaying the bull found in Dormagen is exposed at Bonn Landesmuseum.
This limestone relief of Mithras killing the bull bears an inscription by a certain Flavius Horimos, consecrated in a ’secret forest’ in Moesia.
This monument is the only one still available from the disappeared Mithraeum in Piazza S. Silvestro in Capite.
Roman relief from a sanctuary on the Janiculum Hill (Rome), showing a male figure bound by a serpent coiled seven times.
In these passages from his hymns and satires, Julian articulates a solar theology in which Helios governs cosmic order and time. Within this framework, Mithras appears as a personal divine guide associated with the ascent of souls.
Late antique legendary biography of Alexander the Great (c. AD 300), where history, myth, and imperial ideology merge around figures of divine kingship and solar power.
The bronze bears the dedication of a restoration of a Mithraeum carried out in 183.
In the eighteenth year of Diocletian’s reign, Galerius Maximianus, persuaded by the sorcerer Theoteknos, consulted demonic oracles in a cave and was urged to initiate the persecution of the Christians.
The image of Mithras killing the bull, found near Walbrook, is surrounded by a Zoadiac circle.
Fritz Saxl interprets Mithraism primarily through its images, proposing the cult as a visual cosmology structured around the descent, sacrifice and re-ascent of light, developed in close dialogue with Aby Warburg and Erwin Panofsky.
Professor Wind's acclaimed work explores pagan mysticism and neoplatonic philosophy in Renaissance art, offering insightful analyses of masterpieces by Botticelli, Michelangelo, Raphael and Titian.
Robert Turcan présente les dévotions immigrées dans le monde romain, sans négliger les cultes marginaux ou sporadiques, traitant également des courants gnostiques, occultistes et théosophiques.