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The vessel to burn incense from the Mithraeum of Dieburg is similar to those found in other Roman cities of Germany.
This altar to Deo Invicto was found during the excavation of the Monastero Delle Benedettine di Santa Grata in Bergamo, with a bronze calf’s head on top.
This low relief on an altar of Mithras killing the bull was found in a church in Pisignano, south of Ravenna.
These three fragments of carved marble depict Jupiter, Sol, Luna and a naked man wearing a Phrygian cap, with inscriptions calling Mithras Sanctus Dominum.
The sculpture of Oceanus in Merida bears an inscription by the Pater Patrorum Gaius Accius Hedychrus.
The intarsium of Sol found in the Mithraeum of Santa Prisca is composed of several varieties of marble.
Aemilius Chrysanthus shares the expenses of this monument with a decurio named Limbricius Polides.
Finds discovered near the crossing of the criptoporticus of the Mithraeum at Capua, including marble plate fragments, a tuff base, red lamps, and animal bones.
Miscellaneous finds from the middle of the Mithraeum of Capua, including a terracotta antefix with centaurs, basins, marble bases, lamps with a Sol head, and coins of M. Aurelius and Constantine.
Fresco fragment from the initiation sequence of the Mithraeum of Capua, of which only the heads and parts of the white tunica of two figures remain visible.
Two scenes from the initiation sequence of the Mithraeum of Capua, now indistinguishable.
Fresco showing a mystagogus pressing down the shoulders of a kneeling myste, attended by a third figure in Phrygian cap, from the initiation sequence of the Mithraeum of Capua.
Fresco showing two persons standing behind each other, from the initiation sequence of the Mithraeum of Capua.
Fresco showing a standing figure in a small cloak approached by two other persons, from the initiation sequence of the Mithraeum of Capua.
Badly damaged fresco fragment showing a person in red attire in a kneeling position, from the initiation sequence of the Mithraeum of Capua.
Fresco depicting Cautopates in Eastern attire between two laurels, cross-legged, pointing his torch downwards over a burning altar, from the Mithraeum of Capua.
Head in Phrygian cap with a sorrowful expression, used as a protome in the Amphitheatre of Capua and interpreted as a head of Mithras.
Continuation of the frescoes depicting an initiation into the Mithras cult, where two attendants present a repast to Mithras and Sol.
