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Another sculpture of Mithras rock-birth from the Mithraeum of Victorinus, in Aquincum.
The vase bears an inscription to the god but also 'king' Mithras.
The Isis of Merida is covered by a long dress that reaches down to her feet.
The sculpture of the solar god is signed by its author, Demetrios.
The sculpture of Oceanus in Merida bears an inscription by the Pater Patrorum Gaius Accius Hedychrus.
The lack of attributes and its decontextualisation prevent us from attributing a specific Mithraic attribution to this small Venus pudica from Mérida.
The Aion-Chronos of Mérida was found near the bullring of the current city, once capital of the Roman province Hispania Ulterior.
This nude male figure, found at Cerro de San Albín, Mérida, has been identified as Cautes.
The relief depicts the birth of Mithras, holding a globe, surrounded by the zodiac.
This shrine developed towards the end of 2nd century and remained active until beginning 4th.
Roger Beck revisits the zodiac circle of the Mithraeum on the island of Ponza, a composition unique within the Mithraic corpus. His reading places the monument in relation to cosmology, ritual space, and Mithraic doctrine.
The altar of the Sun god belongs to the typology of the openwork altar to be illuminated from behind.
Maarten Vermaseren acquired this rosso antico marble of Mithras slaying the bull in 1961.
The city of Hatra was famed for its fusion of several civilization cults, which several temples devoted to gods from all Indo-European world.
The cantharus of Trier is reminiscent of the crater that often appears in tauroctony scenes collecting the blood from the slaughtered animal.
Szony's bronze plate shows Mithra slaying the bull and the seven planets with attributes at the bottom of the composition.
Glass paste imprint depicting the Tauroctony surrounded by symbolic figures.
Imprint on glass of a Tauroctony exposed at Winckelmann Museum.
