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The 'Mithraic cave' in the Gradische/Gradišče massif near St. Egidio contained vessels decorated with snakes and the remains of chicken bones and other animals that were consumed during Mithraic ceremonies.
Upon first examination, archaeologists interpreted the inscription on the cult vessel from Gradishje as referencing Mithras, though it has since been re-evaluated.
The first and the third of the following essays written by Julius Evola are dedicated to the mysteries of Mithras, while the second essay concerns itself with the Roman Emperor, Julian.
Limestone tauroctony relief from Carnuntum with traces of polychromy and a graffito on the bull’s neck. The inscribed base was carved separately.
This sandstone altar was dedicated to the god Invictus by a certain Faustinus from Gimmeldingen.
Franz Cumont considers the bas relief of Osterburken ’the most remarkable of all the monuments of the cult of Mithras found up to now’.
This is one of several marble inscriptions made by a certain Caelius Ermeros, who was the antistes of the Mithraeum of the Imperial Palace.
This slab dedicated to the invincible god, Serapis and Isis by Claudius Zenobius was found in 1967 in the walls of the city of Astorga, Spain.
This elliptical terracotta fragment from Ostia depicts Mithras as a bullkiller.
One of the rooms in a sustantive masonry building in Hollytrees Meadow was considered to be a Mithreum, a theory that has now been discarded.
Memoir by Félix Lajard analysing a Mithraic bas-relief discovered in Vienne in 1830. Based on direct examination of the fragments and their context, the study corrects an earlier misidentification and documents a rare lion-headed figure within a probable mithraeum…
Les monuments mithriaques sont rares en Syrie. Les sculptures de Sidon, datées de 188, constituent l’essentiel de la documentation malgré des incertitudes sur leur origine exacte.
This altar to Mithras is dedicated by a certain Gaius Iulius Castinus, legate prefect of the emperors.
The sculpture of Mithras rock-birth from Santo Stefano Rotondo bears an inscription of Aurelius Bassinus, curator of the cult.
Corax Materninius Faustinus dedicated other monuments found in the same Mithraeum in Gimmeldingen.
The inscription was located at the base of the main Tauroctony of the Gimmeldingen Mithraeum.
This inscription on white marble by Lucius Gavidius uses the term ther cultores to refer to his Mithraic community in Stabiae, Italy.
Reliefs of Cautes and Cautopates dedicated by Florius Florentius of Saalburg and Ancarinius Severus.
