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The Mithraic fellow P. Aelius Urbanus mentions that he built the sacred area of the Mithraeum Circo Massimo.
This remarkable marble relief from the end of the 3rd century was discovered in the most remote room of the Mithraeum in the Circo Massimo.
The sculpture of Aion from Florence, Italy, has the usual serpent, coiled six times on its body, whose head rests on that of the god of eternal time.
In the Mithraeum of S. Capua Veteres, Cautes stands between two laurel trees.
Except for the serpent, the sculpture of the taurcotony found on the Esquiline Hill lacks the usual animals that accompany Mithras in sacrifice.
This relief is so well-known that it has been reproduced in nearly every handbook of archaeology and of history of religions.
Fresco showing a scene of initiation into the mysteries of Mithras in the Mithraeum of Santa Maria Capua Vetere.
Procession of Leones carrying animals, bread, a krater, and other objects in preparation for a feast.
Continuation of the frescoes depicting an initiation into the Mithras cult, where two attendants present a repast to Mithras and Sol.
Figures in procession, each representing a different grade of Mithraic initiation, labeled with their respective titles.
The marble statue of Cautes, found in the Mithraeum of Santa Prisca, was originally a Mercury.
The fragmented tauroctony of the Mitreo di Santa Prisca rests on the naked figure of a bearded man, probably Ocean or Saturn.
The Mithraeum of Hauarte or Hawarte, which preserves colourful frescoes, it’s the latest know and used.
The Mithraeum was housed in a cave. The vault is almost dome-shaped and in front of the cave there is enough space for a possible adjacent temple.
The Hekataion of Sidon, which depicts Hekate in her trimorphic form surrounded by three dancing girls, is the only example found to date in connection with the Mithraic cult.
The Mithraeum of Sidon may have escaped destruction because the Mithras worshippers walled up the entrance to the underground sanctuary.
This rock-cut Mithraeum occupies the north-eastern slope of the Grand-Rebberg at Saarburg, featuring a stepped entrance, a sloping central aisle, lateral benches, and a spring-fed water conduit.
White marble statue found near the Scala Santa in Rome depicting Mithras as bull-slayer, accompanied by the dog, serpent and scorpion, with the bull’s tail ending in ears of grain.
These twin inscriptions found in the Mithraeum of Tazoult were dedicated by the legate Marcus Valerius Maximianus.
An Algerian chemistry student interested in roman culture I hope to be able to explore Mithras culture in my country because of the vast and important rule of this religion in my city tiddis