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The dedicant of this altar to the god Arimanius was probably a slave who held the grade of Leo.
The sculpture includes a serpent climbing the rock from which Mithras is born.
The House of the Mithraeum of the Painted Walls was built in the second half of the 2nd century BC (opus incertum) and modified during the Augustan period.
The vase bears an inscription to the god but also 'king' Mithras.
The sculptures of Cautes and Cautopates from the Mitreo del Palazzo Imperiale may have been reused from an older mithraeum in Ostia.
The Isis of Merida is covered by a long dress that reaches down to her feet.
This small bronze tabula ansata was dedicated to Mithras by two brothers, probably not related by blood.
Antonius Valentinus, centurio, made this plaque for the salut des empereurs Septimus Severus and Marcus Aurelius.
The Mitreo Fagan revealed remarkable sculptures of leon-headed figures now exposed at the Vatican Museum.
The sculpture of Oceanus in Merida bears an inscription by the Pater Patrorum Gaius Accius Hedychrus.
The Mithraeum Felicissimus has a floor mosaic depicting the seven mithraic grades.
Its base is partially broken, so it is unclear if the figure was standing on a globe, an expected position, or not.
The Mithraeum in Halberg hill, near Saarbrücken, is one of the oldest historical places in the area.
This relief of Mithras slaying the bull incorporates the scene of the god carrying the bull and its birth from a rock.
The lack of attributes and its decontextualisation prevent us from attributing a specific Mithraic attribution to this small Venus pudica from Mérida.
This standing sculptural figure from Mérida appears to carry the serpent staff, characteristic of the medicine god Aesculapius.
The relief depicts the birth of Mithras, holding a globe, surrounded by the zodiac.
Roger Beck revisits the zodiac circle of the Mithraeum on the island of Ponza, a composition unique within the Mithraic corpus. His reading places the monument in relation to cosmology, ritual space, and Mithraic doctrine.
