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The New Mithraeum Database

Find news, articles, monuments, persons, books and videos related to the Cult of Mithras

Your search Villa Albani gave 151 results.

Monumentum

Tauroctony from the Villa Borghese

This relief of Mithras slaying the bull was erected in Piazza del Campidoglio, moved to Villa Borghese and is now in the Louvre Museum.

Monumentum

Mithras petrogenitus from Villa Giustiniani

Mithras rock-born from Villa Giustiniani was holding a bunch of grapes in its raised right hand instead of a torch, probably due to a restoration.

Monumentum

Tauroctony from Santiponce

This unfinished Mithras tauroctonos without the usual surrounding animals was found in 1923 in Italica, near Seville, Spain.

Socius

Samira VILLAR

Monumentum

Slab of Quintus Claudius from Santiponce

Recent interpretations link this marble inscription to the cult of the goddess Nemesis.

Socius

Una Villa

Monumentum

Signaculum of Caius Valerius Avitus

Bronze personal seal of a duovir of Tarraco and owner of the villa of Els Munts.

Syndexios

Gaius Valerius Avitus

Landowner from Augustobriga, transferred to Tarraco by Antoninus Pius and owner of the villa of Els Munts and its Mithraeum.

Monumentum

Relief fragment from Labicum

Fragment of a bull-killing relief showing Mithras, the torchbearer Cautes with upraised torch, and the bust of Luna, found at Labicum in the ruins of a Roman villa.

Monumentum

Tauroctony relief with torchbearers from Settignano, near Florence

A rectangular marble tauroctony relief found in Etruria, once in the Villa Martin at Settignano near Florence, showing Mithras slaying the bull with Cautes and Cautopates in Eastern attire cross-legged on either side and the busts of Sol and Luna in the upper corners;…

Monumentum

Tauroctony relief from Soriano nel Cimino

A white marble tauroctony relief found near a Roman villa on the northern slope of Mount Ciminus near Soriano nel Cimino in Etruria, showing Mithras slaying the bull with dog, serpent and scorpion, the bull's tail ending in three ears of grain, the god's resting leg abnormally small…

Monumentum

Two tauroctony statues from near Porta Maggiore, Rome

Two tauroctony statues formerly at the Villa del Grande near the Porta Maggiore in Rome, both lacking the upper part of Mithras and the bull's head.

Monumentum

Decorated marble base with Mithraic scenes from Rome

Marble base formerly in the Villa Negroni and then the Museo Borgia at Velletri, with bas-reliefs on three sides showing Sol in a quadriga, initiates in Oriental dress and other Mithraic scenes; the collection is now dispersed among museums in Naples and Rome…

Monumentum

Inscription CIL VI 724 dedicated to Sol Invictus Mithras by M. Aurelius Euprepes, Villa Giustiniani, Rome

Marble inscription from the Villa Giustiniani near Porta Flaminia, dedicated by M. Aurelius Euprepes, freedman of the three Emperors, to Sol Invictus Mithras through the priests Calpurnius and Ianuarius, dated to 194 A.D.

Monumentum

Black and white mosaic floor from the Mithraeum of the Nummi Albani, Rome

Black and white mosaic floor of the underground room used as a Mithraeum in the house of the Nummi Albani on the Quirinal; the mosaic ends about 1 metre from the side-walls, suggesting side-benches; Nummius Albinus was consul in 345 A.D.

Monumentum

Plaster relief of Mithras tauroktonos beside the wall-painting in the Nummi Albani house, Rome

Relief in plaster, fixed on the wall beside the Mithraic wall-painting (No. 386) in the house of the Nummi Albani on the Quirinal, with traces pointing to a representation of Mithras slaying the bull.

Monumentum

Marble busts from Formiae

Two marble busts of youthful figures with Phrygian caps, probably representing the torchbearers Cautes and Cautopates, from the Villa Borghese collection, found at Formiae.

Monumentum

Mitreo de Cabra

The Mithraeum of Cabra is located in the Villa del Mitra, which owes its name to the discovery in 1951 of a Mithras tauroctonus in the remains of the Roman villa.

Liber

Mystai. Dancing out the Mysteries of Dionysos

The Dionysian themed frescos of Pompeii’s Villa of the Mysteries constitute the single most important theurgical narrative to have survived in the Western esoteric tradition.

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