Your search maarten_jozef_vermaseren gave 27 results.
Dutch historian, born in 1918 and deceased in 1985. He was a specialist in the history of religions, especially the Eastern cults in the Roman Empire. A prolific writer, best known for his Corpus inscriptionum et monumentorum religionis Mithriacae.
Maarten Vermaseren, qui a publié un corpus des inscriptions et des monuments de la religion mithriaque et un certain nombre d'études savantes sur le même sujet est certainement l'un des meilleurs spécialistes de la question.
De oorspronkelijke Nederlandse uitgave van 1959 introduceerde het werk van Vermaseren, dat als klassiek geldt in de populaire studie van het mithraïsme en dat de belangstelling voor deze cultus blijvend heeft gevormd.
Second volume of Vermaseren's series Études préliminaires aux religions orientales dans l'Empire romain, Mithriaca, dedicated to a small Mithraic sanctuary on the island of Ponza in the Tyrrhenian Sea.
The Mithraeum under and behind S. Prisca on the Aventine is without doubt the most important sanctuary of the Persian god in Rome.
The Mithraeum at Capua is in many respects one of the most important sanctuaries of the Iranian god who in the first centuries of our era conquered the Roman world.
Ce 4e fascicule de Mithriaca concerne un très curieux monument exhumé au XVIe siècle sur le site d'un Mithraeum qu'on localise tout près de l'église S. Maria in Domnica, non loin de S. Stefano Rotondo où un autre spelaeum fut mis au jour en 1973…
This magnificently illustrated publication renews the Mithraic dossier on the basis of concrete data, with caution and penetration. Marino's discovery is disconcerting and rekindles the controversy about the order in which bands should be read.
Corpus Inscriptionum et Monumentorum Religionis Mithriacae (or CIMRM) is a two volume collection of inscriptions and monuments relating primarily to the Mithraic Mysteries.
Maarten Vermaseren acquired this rosso antico marble of Mithras slaying the bull in 1961.
The Mithraic nature of the frescoes of Oea, according to the scholars Cumont and Vermaseren, is now questioned.
A gold coin depicting a bearded god with a crescent facing another god with a nimbus and a radiate crown, identified as Mithras by Vermaseren.
A small pottery fragment of uncertain find-spot, probably from Augusta Treverorum (modern Trier) in Belgica, showing a lion walking to the right before a bull's head, with palm-like foliage, tentatively interpreted as Mithraic by Loeschcke but considered too doubtful by Vermaseren…
A vase or plate bearing a representation of Mithras, reported to be in the Archaeological Seminary of the University of Vienne (ancient Colonia Iulia Vienna Allobrogum) in Narbonensis, but unpublished at the time of Vermaseren's catalogue.
A small four-sided white marble relief of uncertain Mithraic attribution, found at Italica (modern Santiponce, near Seville), depicting a bull walking to the right on the front, a fig-tree on the back, five ears of wheat on the right side, and damaged vine tendrils with grapes on the left…
Roman Mithraic relief illustrated in figure 171 of Vermaseren’s catalogue.
The tauroctonic relief from Dragus includes a naked flying figure that Vermaseren has identified as Phosporus or Lucifer.
A Sol statue headless and lacking arms and feet, mentioned by Martelli as existing at Nersae alongside a fragmentary inscription, with no further details obtainable by Vermaseren or Cumont.
A statue found along the Via Cassia about six kilometres from Rome, tentatively identified as an Aion entwined by a serpent but possibly representing Atargatis according to Vermaseren, now in the Museo Nazionale delle Terme.
Ancient marble fragments walled into the staircase of the house at Via Boncompagni 101 (Boarding-house Cosmopolita), including a lower part of a Mithras bull-killing group and a fragment of a low-relief with the bullkilling; not traced by Vermaseren.