It bears an inscription repeated on each side of the podia.
The Mithraic fellow P. Aelius Urbanus mentions that he built the sacred area of the Mithraeum Circo Massimo.
This remarkable marble relief from the end of the 3rd century was discovered in the most remote room of the Mithraeum in the Circo Massimo.
This nude male figure, found at Cerro de San Albín, Mérida, has been identified as Cautes.
The second statue of Mithras rock-birth was found in the Mitreo di Santo Stefano Rotondo shows a childish Mitras emerging from the rock.
The sculpture of Aion from Florence, Italy, has the usual serpent, coiled six times on its body, whose head rests on that of the god of eternal time.
In the Mithraeum of S. Capua Veteres, Cautes stands between two laurel trees.
In one of Hawarte’s frescoes, the rock birth of Mithras is preceded by Zeus and followed by the young Persian god suspended from a cypress tree.
Luna riding a biga in the Mithraeum of Santa Capua Vetere.
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Except for the serpent, the sculpture of the taurcotony found on the Esquiline Hill lacks the usual animals that accompany Mithras in sacrifice.
Around the relief with Mithras as a bullkiller, a number of scenes from the Mithras Iegend have been painted in the Mithraeum of Dura Europos.
Around the niche of the Dura Europos Mithraeum fragments of a series of small paintings set in a semicircular band of panels were found.
Fresco depicting an initiation scene from the Mithraeum of Capua Vetere.
The vault of the Mithraeum in S. Capua Vetere is decorated with stars that have holes in their centers, which once held colorful glass decorations.
Fresco showing a scene of initiation into the mysteries of Mithras in the Mithraeum of Santa Maria Capua Vetere.
The inscription mentions the name of the donor, Yperanthes, of Persian origin.
This scene of the main fresco of the Mithraeum Barberini seems to depict part of the initiation into the Mithraic Mysteries.
The votive fresco from the Mithraeum Barberini displays several scenes from Mithras’s myth.
Procession of Leones carrying animals, bread, a krater, and other objects in preparation for a feast.
